Directing
Luís Soares
Known for
Directing
Credits
3 titles
Known for
NRA sad and restrained man lying on the bed in his empty room. Hesitates, ponder hypotheses in a cycle without deciding, stuck. In exhaustion all anguish equals. Another man is sitting at the window: he looks at him and to the street. Characters in broken situations. The key positions, the suspended sequences, are shown. The man almost decides - and they almost return, inside and out, to them and to the city, time and movement. Infinite dawn.
Poise
2020
NRA common man, sitting in his regular cafe, smoking and observing. The man weaves his own smoke curtain while a television sheds images. The city comes and goes through the cafe's window. For a moment glass and skin cease to be a frontier and life blends. A mechanism of connexions between man and city is set loose, composing a new architecture of observations, memories and wishes. In this web of imponderable circuits a possibility of disruption unleashes. From which only a brief trace will remain.
Any Other Man
2012
Behind the camera
NRA sad and restrained man lying on the bed in his empty room. Hesitates, ponder hypotheses in a cycle without deciding, stuck. In exhaustion all anguish equals. Another man is sitting at the window: he looks at him and to the street. Characters in broken situations. The key positions, the suspended sequences, are shown. The man almost decides - and they almost return, inside and out, to them and to the city, time and movement. Infinite dawn.
Poise
2020
NRA sad and restrained man lying on the bed in his empty room. Hesitates, ponder hypotheses in a cycle without deciding, stuck. In exhaustion all anguish equals. Another man is sitting at the window: he looks at him and to the street. Characters in broken situations. The key positions, the suspended sequences, are shown. The man almost decides - and they almost return, inside and out, to them and to the city, time and movement. Infinite dawn.
Poise
2020
NRA common man, sitting in his regular cafe, smoking and observing. The man weaves his own smoke curtain while a television sheds images. The city comes and goes through the cafe's window. For a moment glass and skin cease to be a frontier and life blends. A mechanism of connexions between man and city is set loose, composing a new architecture of observations, memories and wishes. In this web of imponderable circuits a possibility of disruption unleashes. From which only a brief trace will remain.
Any Other Man
2012
