Paul Poom

It is the night of March 25, 1949. A full moon hangs over Estonia. Endless rows of cattle cars are waiting to transport thousands of Estonian families, asleep in their homes, to Siberia. The Stalinist regime is ready to treat people like animals.

50s quiet Estonian town. After a long separation, two brothers met in their parents' house. The younger one, Ilmar, a formerly capable artist, has just been released under an amnesty from a camp where he ended up for some youthful prank. Older brother Alex, by nature a more reserved person who prefers to find compromise solutions, is the complete opposite of Ilmar. The meeting of the brothers develops into a conflict, complicated by the fact that Ilmar got in touch with repeat offenders in the camp, and now they are threatening him with violence.

Aurora, the new head of the culture centre in a small Estonian town, and her ward, nicknamed Lumumba, change the lives of Rein and his father who are crushed with grief. Together with their friend Elsa, the boys decide to introduce Rein's father to Aurora in order to make them feel less lonely.

A heartfelt story about the borderlands of childhood, about a boy who is still a child, but who is touched by an inexplicable, barely discernible feeling of love. Ten-year-old boy Jaanus is in love with Eva, a girl a few years older than him, from whom he wants to buy a puppy. The puppy is like an unattainable dream, like a first love. Aare Tilga's debut film is based on Mart Kivastik's short story of the same name and was Tilga's diploma thesis at the Moscow Cinema Institute, supervised by Eldar Ryazanov.

Toomas Nipernaadi is seen roaming the rural landscape, going from village to village looking for the woman of his dreams. He wears a bedraggled white suit but generously pays for any lodging he needs or in one case, even buys a farm. Nipernaadi has a way with words and enchants those he meets with his wild stories about himself. Women find him appealing and the men are entertained as he moves from one locale to the next.

Engineer Lembit with his construction team arrives at a small island to build a sheep farm. They are accommodated in the house of a middle-aged woman Marta and her daughter Kaja. The everyday routine will change when after some time everyone's controlled behaviour starts to change, expressing suppressed problems and yearning for warmth and love.

A mother released from a prison camp in Russia returns to Estonia to find her son, but realises that reconciliation is impossible.

Rich nephews and beautiful girls can not get married, especially when neither of them have actually seen each other.

A television film based on the short stories of the American writer O. Henry.

A musical comedy about singer Toomas Aringus and rally driver Mati Uibo, whom journalist Tiina Salum considers to be one and the same person due to their external resemblance.

The movie travels through the 20th century by monitoring a steam boiler. We see the history of Estonia through life, agricultural work and people at different times.

Arabella is a daughter of the world's most terrifying pirate captain. She loves her father but also dreams about a life of a usual girl. One day a weird stranger is saved from the sea who will be the only friend of Arabella. At the same time a rival pirate called Raudpats plans to kidnap the girl. Will she be safe and can she ever live a normal life?

The protagonist of this satirical short is a photographer whose camera captures photos of people's true nature. We often have to ask ourselves whether we see the truth around us. But do we want to see it?

In post-World War II Estonia, Mait Kukemeri, an activist of the Young Communist League arrives to the Metsa collective farm in the back of a traveling cinema truck. As a commissary of the spring sowing, he has orders to usher all the people to the field, even if the water is high enough to soak your boots and the machines sink in the mud. Harald Tuvikene, the head of the farm, keeps dragging his feet, trying to pitch his peasant wisdom against the senseless demands of the central power. For the first time in his life, Kukemeri faces a real problem - does he do what's right or does he follow the party's inept commands in order to further his own career?