Félix Fattal

In a land at the end of the world, it is said that a magic forest exists that can make appear the being most desired by travelers who stay there, a creature from a distant memory, a dreamed present, or an uncertain future.

Octave and Flora have been in a romantic relationship for a long time on an online game without ever having seen each other. While Flora burns with desire to meet her virtual lover, it is not the case of Octave, deeply complexed by a burn ravaging half his face. Weary of the situation, Flora gives Octave a date so that they can finally meet. Will their love survive this meeting?

"Before I left today, I almost forgot to answer a lot of e-mails."

Unmistakably French in its melancholy, this treatment of an apocalyptic subject (the film takes place after some kind of global disaster) takes La Jetée as its primary reference. Like Chris Marker, Félix Fattal builds a dynamic story from static images in Après nous, le déluge. The near-total lack of movement encourages the viewer to look into the texture of the imagery itself, lending it a haptic quality.

1 loves "0". "0" loves "1". And their passion has the power of the waves that collide with the face of the world.

Ian “The Machine” Freeman is a boxer. At every one of his fights, between blows, his mind drifts away to his youthful days, to the origins of his passion and violence.

In a land at the end of the world, it is said that a magic forest exists that can make appear the being most desired by travelers who stay there, a creature from a distant memory, a dreamed present, or an uncertain future.

"Before I left today, I almost forgot to answer a lot of e-mails."

Unmistakably French in its melancholy, this treatment of an apocalyptic subject (the film takes place after some kind of global disaster) takes La Jetée as its primary reference. Like Chris Marker, Félix Fattal builds a dynamic story from static images in Après nous, le déluge. The near-total lack of movement encourages the viewer to look into the texture of the imagery itself, lending it a haptic quality.

Unmistakably French in its melancholy, this treatment of an apocalyptic subject (the film takes place after some kind of global disaster) takes La Jetée as its primary reference. Like Chris Marker, Félix Fattal builds a dynamic story from static images in Après nous, le déluge. The near-total lack of movement encourages the viewer to look into the texture of the imagery itself, lending it a haptic quality.

1 loves "0". "0" loves "1". And their passion has the power of the waves that collide with the face of the world.

Ian “The Machine” Freeman is a boxer. At every one of his fights, between blows, his mind drifts away to his youthful days, to the origins of his passion and violence.