Charlie Jimenez

In an abandoned underworld, a drained swimming pool becomes the well of creation, where scarred ancient figures give birth to light and desire. At its centre is Phanes, the androgynous god of light and creation, reimagined as a wounded, intersex angel reborn from a flood of flames.

A spiral of dreams and ages unravel as two celestial characters awaken and transmutate into a mythological being.

A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.

A live performance by Charlie Jimenez & Sioul Blaphate hosted as a pre-show to Rebel Reel CineClub's 'A Most Unholy Christmas' - a screening of Alejandro Jodorowsky's The Holy Mountain (1973) at Rio Cinema, 17th December, 2024. The performance is a live-theatre and dance piece loosely inspired by Jodorowsky's film and its influenced source Mount Analogue. Through dance, masks, and live-theatre, Mount Analogue navigates a procession of ascension through transforming bodies and shapes. A primordial place of transformation, magic, and symbols.

A sleep paralyzed woman confronts her demons.

A paralysed woman awakens alone in her bedroom, as time continues without her.

In an abandoned underworld, a drained swimming pool becomes the well of creation, where scarred ancient figures give birth to light and desire. At its centre is Phanes, the androgynous god of light and creation, reimagined as a wounded, intersex angel reborn from a flood of flames.

A spiral of dreams and ages unravel as two celestial characters awaken and transmutate into a mythological being.

A spiral of dreams and ages unravel as two celestial characters awaken and transmutate into a mythological being.

A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.

A live performance by Charlie Jimenez & Sioul Blaphate hosted as a pre-show to Rebel Reel CineClub's 'A Most Unholy Christmas' - a screening of Alejandro Jodorowsky's The Holy Mountain (1973) at Rio Cinema, 17th December, 2024. The performance is a live-theatre and dance piece loosely inspired by Jodorowsky's film and its influenced source Mount Analogue. Through dance, masks, and live-theatre, Mount Analogue navigates a procession of ascension through transforming bodies and shapes. A primordial place of transformation, magic, and symbols.

A paralysed woman awakens alone in her bedroom, as time continues without her.

unknit the ghost is a live show exploring addiction and cycles of trauma. The show combines live performers choreographed by Charlie Jimenez with projections by video artist Autojektor. Staged at PORTAL 002 - plantroom, Smeed Road, London - April 12th, 2025.

Keratin is a collaboration with the London Sinfionetta, visually responding to Gavin Higgins' Seven Welsh Folk Songs: I. Dacw 'Nghariad i. The film tells the journey of a mating of elements, two bodies grieve over a lost third: a child separated from their womb. The three bodies bound by their keratin, regain connection in a wombic journey which spiritually networks the three into a fused collective body.

Keratin is a collaboration with the London Sinfionetta, visually responding to Gavin Higgins' Seven Welsh Folk Songs: I. Dacw 'Nghariad i. The film tells the journey of a mating of elements, two bodies grieve over a lost third: a child separated from their womb. The three bodies bound by their keratin, regain connection in a wombic journey which spiritually networks the three into a fused collective body.

Confined to an endlessly burning waiting room, a dying sedentary woman experiences herself blurring in and out of her body. In her last remaining fragments she tries to make amends with her spirit before her remaining fragments either decay or create.

'February 30th, 1956' is a live theatre & screen performance meditating on life after death - told through a haunted space of expressionist figures from flashing and distorted memories. The performance imagines the memories of people forgotten and remembered as living wandering fragments of their former selves, serenading lost memories, until the light dances their way out of the ghost and into the memory. The performance features visuals by artist Autojektor and the Roe Darling Archive, with a live score by Josh Curtis. Performers ensemble: Chloé a.a Das Neves, Kuba Pawełczak, Ronan Cardoza and Louise Earwaker.