Federico Actis

Seventeen-year-old Vera earns money by secretly renting out an apartment to teenagers seeking privacy, all while eavesdropping from behind a closed door. As she listens, her own desires awaken.

A story in search of a way out, a desired escape, of repetitions and symmetries, of the same paths that come and go but never cross, like cable cars...

The annual short film competition for directors organized and produced by INCAA presents nine new works.

At the end of the last civil-military dictatorship, a camouflage operation took place in the Information Service, an office of the former Rosario Police Headquarters that operated as a clandestine detention center in the heart of the city. This architectural intervention, not recorded in the plans, obscures the survivors' accounts and hides the traces of crimes against humanity. Drawing on images, previously unpublished archives, and survivor testimonies, the documentary explores the scars of political repression and highlights the importance of preserving memorial spaces to ensure the transmission of fundamental events in our contemporary history.

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Seventeen-year-old Vera earns money by secretly renting out an apartment to teenagers seeking privacy, all while eavesdropping from behind a closed door. As she listens, her own desires awaken.

Seventeen-year-old Vera earns money by secretly renting out an apartment to teenagers seeking privacy, all while eavesdropping from behind a closed door. As she listens, her own desires awaken.

Seventeen-year-old Vera earns money by secretly renting out an apartment to teenagers seeking privacy, all while eavesdropping from behind a closed door. As she listens, her own desires awaken.

A story in search of a way out, a desired escape, of repetitions and symmetries, of the same paths that come and go but never cross, like cable cars...

A story in search of a way out, a desired escape, of repetitions and symmetries, of the same paths that come and go but never cross, like cable cars...

The annual short film competition for directors organized and produced by INCAA presents nine new works.

At the end of the last civil-military dictatorship, a camouflage operation took place in the Information Service, an office of the former Rosario Police Headquarters that operated as a clandestine detention center in the heart of the city. This architectural intervention, not recorded in the plans, obscures the survivors' accounts and hides the traces of crimes against humanity. Drawing on images, previously unpublished archives, and survivor testimonies, the documentary explores the scars of political repression and highlights the importance of preserving memorial spaces to ensure the transmission of fundamental events in our contemporary history.