Teri Snelgrove

54 Hours is a remarkably vivid account of the 1914 tragedy in which 132 men were stranded on the ice during a severe snowstorm off the coast of Newfoundland. Seventy-eight men froze to death on the ice pack.

A mother embarks on a journey of acceptance and joy while supporting her child's gender transition in this heartfelt portrayal of single parenting and navigating the complexities surrounding gender and consent.

From whirlwind romance to raising mixed-race children, for three Filipina–white couples, love unfolds alongside harder conversations about race, belonging and what it takes to stay.

In community archives across British Columbia, local knowledge keepers are hand-fashioning a more inclusive history. Through a collage of personal interviews, archival footage and deeply rooted memories, the past, present and future come together, fighting for a space where everyone is seen and everyone belongs. History is what we all make of it.

After 11 strangers unite to help a gay youth escape life-threatening violence in Uganda, the unexpected pandemic and conflicting opinions over his best interests test the limits of their commitment and jeopardize his fresh start in Canada.

Winters in the sparsely populated Yukon are long, cold and dark—a natural recipe for isolation. For newcomers like Alexandra Knowles, it can be hard to find friends. But anywhere there is a yarn store, there are knitters. And where there are knitters, there is a knitting circle, weaving together a circle of care, one stitch at a time—and reminding us of the simple ways that community is built on presence, storytelling and shared purpose.

Filmmaker Jessica Hall’s sister Katherine manages her intellectual disability by leading an independent, creative, and joyful life. Every Saturday, Katherine and her mother, Frances, share a cherished routine: thrifting, browsing the hardware store and working side by side on their intricate miniature-house projects. Saturday documents their story, blending present-day moments with intimate home movies that trace their immigration journey and family history. With warmth, creativity and quiet resilience, the film celebrates Katherine’s independence and the powerful bond between mother and daughter.

In the face of exile, five Afghan women’s commitment to freedom and equality empowers them to take the world stage and reclaim their homeland. Through a series of honest conversations, these extraordinary rebels reveal the deeply personal history of Afghanistan in all its complexity, beauty and struggle.

In pursuit of a better future, a young girl decides to emigrate. She leaves her homeland behind along with her belongings and her loved ones. In the new country she realizes the depth of her venture and discovers that the only thing she carries with her from her homeland, is a symbol of love.

On January 8, 2020, Flight PS752 was struck by two surface-to-air missiles, killing everyone on board. Director Soran Mardookhi’s feature documentary The Flight follows the lives of family members left behind as they relentlessly pursue truth, justice and accountability for their loved ones.

Go Dyke! Go! is a humorous commentary on lesbian relationships in the context of children’s literature. Taking off from the popular children’s book Go Dog! Go! (by P.D. Eastman), this animation paints a sarcastic, pointed and comic picture of queer life in the 90s. Familiar pop imagery and everyday signifiers are a point of entry for a discussion of the patterns of serial monogamy and lesbian representation. Go Dyke! Go! plays with the genre of animation and poses a game of semiotics to deconstruct the tropes of children's books and heterosexism.

WaaPaKe is a story about resilience, love and transformation. Examined through an Indigenous lens, the stories of residential school Survivor-Warriors and their families offer an understanding of both intergenerational trauma and healing. We are taken to a studio set-up in front of a green screen. Through compassionate, candid conversations, Jules Koostatchin shares interviews with five individuals, family and friends, that all directly or indirectly experienced intergenerational trauma.

The open road presents a point of departure for director lori lozinski to process deep-seated grief. Revisiting the formative experiences that drove her ambition, lozinski examines the influence of her parents in the present light of day.

Nine artists across the continent document their sensory experiences of lockdown, and the results broke our editing program. What emerges is an absurdist collage that playfully flips the format of a video conference on its head. Filmmakers Alicia Eisen and Sophie Jarvis pose the question: is the human need to make sense of chaos an inherently chaotic pursuit?

An eight-legged force of fate spins a complex web of darkness and humour in Alicia Eisen and Sophie Jarvis’s animated short.