Atana Agrba

In God’s forgotten village, it’s been raining for years. Superstitious inhabitants of the village live in a world of myths and tales, believing the main character Maya to be guilty of drought, which brings disaster to her only presence.

Early 90s. The carefree youth of St. Petersburg of three friends, students from Abkhazia, abruptly ends with the news about the beginning of the war in their homeland. And now the guys are on the train, leaving behind their studies, their usual life, youth and everything that worried them yesterday.

A documentary about young people born after the early-1990s Abkhaz–Georgian conflict. Through six stories of young Abkhazia and Georgia protagonists, it focuses on how inherited post-conflict realities shape everyday life, identity, mobility, and the possibility of dialogue, without turning the film into a political debate.

In God’s forgotten village, it’s been raining for years. Superstitious inhabitants of the village live in a world of myths and tales, believing the main character Maya to be guilty of drought, which brings disaster to her only presence.

In God’s forgotten village, it’s been raining for years. Superstitious inhabitants of the village live in a world of myths and tales, believing the main character Maya to be guilty of drought, which brings disaster to her only presence.

Early 90s. The carefree youth of St. Petersburg of three friends, students from Abkhazia, abruptly ends with the news about the beginning of the war in their homeland. And now the guys are on the train, leaving behind their studies, their usual life, youth and everything that worried them yesterday.

Early 90s. The carefree youth of St. Petersburg of three friends, students from Abkhazia, abruptly ends with the news about the beginning of the war in their homeland. And now the guys are on the train, leaving behind their studies, their usual life, youth and everything that worried them yesterday.

A documentary about young people born after the early-1990s Abkhaz–Georgian conflict. Through six stories of young Abkhazia and Georgia protagonists, it focuses on how inherited post-conflict realities shape everyday life, identity, mobility, and the possibility of dialogue, without turning the film into a political debate.