Marina Confalone

Based on the tragicomedy written by Edoardo de Filippo in 1931, Christmas at the Cupiello's captures a life episode of a middle-class Italian family around Christmas. Shot in Neapolitan language, the movie has a whimsical charm.

No synopsis available yet.

Villa Primic was once a luxurious home. Now in disrepair, the Primic family home is up for sale by the owner, Rose, and her two heirs, Massimiliano and Adele. The head of the family, Valerio, is vehemently opposed to this. The reunion is going to be complicated...

Tracing the journey of a free thinker, engineer, writer, scriptwriter, actor and director through his life and work, Così Parlo De Crescenzo harnesses the energy of a man determined to transform the lives and culture of those around him. Born in Naples, Luciano De Crescenzo graduated in engineering and worked as a programmer for IBM until 1976, when he escaped the routine of his 'corporate prison' and published his first book.

To support her family, Maria works as a trafficker of surrogate mothers, transporting them from place to place along a river — but when one disappears, Maria is left with the task of finding her and must enter deeper into a world she wishes to escape.

Gilda has long since moved to a small southern island and earns her living as a prostitute in a context suspended between retrograde traditions and modernity. During one summer, his destiny intersects with that of Olivia and Crocetta, two women from the area, the former a happy wife and the latter an ugly, unlucky wife. The three are forced by fortuitous circumstances to come together to save themselves but their behavior attracts the suspicions of Nino Malachia, a brusque police commissioner who is convinced that they are hiding something.

Reporter Marcello has a brief encounter with Irene while waiting for a train. A young woman who has lost her sight finds herself falling for the voice of a ship's captain she hears over a radio broadcast. Egle, a massage therapist who is soon to be married, finds herself pursuing one last fling with Gabriele -- though the odds are not in her favor, since he happens to be gay. Elena is a young woman with a child who wants to abandon her husband. And Carla wonders if she has any future at all with her lover -- who is married to someone else.

No synopsis available yet.

In a family of true-blue Neapolitans—or rather, die-hard Neapolitan purists—something incredible happens: a baby girl is born who speaks Milanese and wants to eat nothing but risotto and panettone. Imagine the surprise and the lengths to which Assuntina’s family goes in an attempt to cure her. And things are bound to get worse when the young girl grows into an adult.

No synopsis available yet.

A naive girl's love for Switzerland is put to the test in this satiric comedy. Irina is a woman from Russia who all her life has always been fascinated by Switzerland and longs to live there some day, though her notion of Swiss life has more to do with Heidi and old movies set in the Alps than reality.

The Razzi family owns a small factory of sweets in Macerata. Their desire to enlarge their business to cope with the new Unified European Market brings to a string of fatal mistakes that will ultimately doom their wealth.

A woman suffering from compulsive-type psychological problems falls for an older divorced neighbour. Will her love be returned? A slow story of confusion and loneliness.

Life in Naples is tough, so Neapolitans invent ways to get by. Whatever works, conning mostly, tricking the IRS, the university, the landlord, cruise ship passengers, even conning victims three times with the same ruse.

Depressed magistrate Damiano Fortezza relocates from Milan to a small town in Campania, where the three Fontana sisters, owners of a chain of incinerators, dominate. The youngest, Eugenia, is about to marry a well-known crook Fortezza has to prosecute. However, he ends up falling in love with Eugenia and questioning the priorities of his job.

Sofia, a budding young theater actress, unwittingly discovers that Bruno, her beloved acting teacher, is gay. Heartbroken and determined to flee as far away from him as possible, she meets a young girl on the train who gives birth and abandons the baby. Sofia makes a life-changing decision: she takes the child and passes him off as her own son, naming him Bruno.

During the annual Christmas gathering at the family home, the parents surprise their children by announcing their decision to move in with one of them and pass on the house.

An Italian troupe is busy in Paris filming an adaptation of La Traviata. The dressmaker Rosa, in love with the lead actor, identifies herself with Violetta: thanks to a bad joke and a fake séance, Rosa begins to believe she is her reincarnation. From that moment on, she tries to discover everything she can about her previous life, which slowly becomes closer and closer to her real one.

A convicted terrorist out on parole meets a man she nearly murdered 15 years before, without recognizing him. He does so, but he chooses to keep quiet and spend time with her—desperate to understand the reasons behind her gesture.

The charismatic Snaporaz encounters an alluring woman on a train and pursues her through a forest. He ends up at a hotel populated by women gathered for a feminist conference, where he is an unwanted presence. Snaporaz soon discovers he’s entered a phantasmagoric world where women have taken power.

In 18th-century Rome, impish aristocrat Onofrio del Grillo amuses himself by playing pranks on all sorts of people — his reactionary family and fellow nobles, the poors, the French occupiers trying to modernize society, and even the Pope himself.

Two convicts escape from prison and evade the law by taking hostage the middle-class family of a doctor. One of the jailbirds calls the local television station, requesting that they broadcast his demand for a plane so they can escape the country. The television director and his crew show up to film the hostage crisis, and then things get progressively more bizarre and satirical. Not content with the living drama, he directs everyone's actions to make the event more newsworthy.

Italian comedy in two episodes starring a house painter who emigrated to Switzerland who pretends to be a millionaire and an employee on holiday in Kenya, the victim of catastrophic misadventures.

After a 22 years marriage, a couple shows the signs of a crisis. She thinks he has a lover, and it actually seems so, but does the other woman really exist?

Fontamara is a village in the Marsica, forgotten by all but God and its inhabitants are called 'cafoni' (boors). Berardo Viola wants to marry Elvira but only after gaining enough money to buy some land and in order to reach his aim he has the idea of going to a great city. When Maria Grazia is raped by the fascists, Berardo and Antonio decide to leave Fontamara and go to Rome. Here they are swindled by a lawyer and afterwards they are invited by an antifascist to a restaurant where they are arrested by the police because of some subversive papers they had.

In Naples, Professor Bellavista is a retired man, passionate about the philosophy and thought of Ancient Greece. Every day, in his luxurious apartment, he teaches his lessons of life to the poor-nothing (his friends), who are dazzled by his reasoning. One day, however, the quiet life of the building of Bellavista will be disturbed by the arrival of a director of Milan. Between Naples and Milan there contrast, because the Neapolitans are accustomed to enjoy a quiet life, always based on the "philosophy of pleasure and delay", while the northern Italians are very strict and punctual.

A doorman and a street cleaner, intrigued by the passage of Halley's Comet, ask Professor Bellavista if they can observe the sky through his telescope. The two, instead of observing the comet, end up framing a window of the apartment opposite and believe they have discovered a crime. So they set out in search of the body.

The housing shortage means that two spouses have to continue living under the same roof despite the ongoing legal separation. Incidents and misunderstandings to no end, but the couple's son will take care of fixing everything.

Directed by Felice Farina.

Greedy relatives hire a sensual caregiver to hasten the demise of a wealthy count suffering from a heart condition.

Bruno Fioretti, known as "Mandrake", is an inveterate gambler who never misses a day at the horse racing track in Rome. He is doubly unlucky: he bets too much on one horse, and his wife is sleeping with his best friend because Mandrake is always at the track. Penniless and cuckolded, Mandrake decides to make one last bet.

Luca Cupiello, like every Christmas, prepares the crib, amid the disinterest of his wife Concetta and his son Tommasino. Ninuccia, the other daughter, writes a letter to her husband in which she communicates that she leaves him for her lover. The letter happens in the hands of Luca who hands it over to his son-in-law, who thus learns of his wife's betrayal. During lunch on Christmas Eve, the two rivals, who were confronted by Luca's carelessness, clash violently.

Guests of the wealthy young Don Alberto De Simone, the ramshackle troupe of actors known as "L'eclettica," led by Gennaro De Sia, rehearse a new play in an attempt to redeem themselves after the fiascos of their previous performances. The "rehearsals" are interrupted by the arrival of Salvatore, brother of Viola, an actress who is expecting Gennaro's child and who wants to force the man to act like a gentleman and marry her.

Two wise guysmanage a messed up underground casino and brothel. A "hunting club" as a cover up. The place is frequented by all kind of characters, from the Neapolitan upper class to the petty criminals, who use it as a base and such is the turmoil that it will not take much to blow the cover up.

Oreste Campese is the leader of a traveling troupe of actors—made up of his family—who find themselves in the middle of winter in an unspecified town in central Italy. During the prologue, Campese recounts the events leading up to the present: the troupe has suffered the misfortune of losing their "shed," a mobile theater structure that was destroyed by an accidental fire. The flames spared only the boxes of props and costumes, which were opportunely saved.

Gennareniello, a crazy inventor, is married to Concettina and lives at home with his son Tommasino, full of tics, his spinster sister and with Matteo, a drawing master who makes plans for his inventions. Driven by his friends, the man courts the young teacher Anna and when his wife notices it, he is forced to run away from home, overwhelmed by the scorn of derision of friends and acquaintances who come to disguise him as a dandy, thus offending his dignity.

Vincenzo De Pretore explains to his girlfriend Ninuccia, who threatens to commit suicide if they don't get married, that he wants to wait until he can give her a comfortable life, and tells her that he is the son of a rich man, raised by a poor couple. But to make a living, he is forced to steal and ends up in prison. On Ninuccia's advice, he chooses St. Joseph as his patron saint, and from then on his "work" goes from strength to strength.

Having withdrawn his complaint from the police station, Alberto now finds himself in trouble: the public prosecutor, suspicious, believes that he acted in this way out of fear or something else.