María Pastor

Eliseo is ugly, lame and single. He hasn't met the woman of his life and has never known love. Nati is ugly, missing a breast and separated. She found the man of her life but, even so, has never experienced true love. Eliseo thinks that the worst of his life is still to come. Nati thinks that the best of her life is still to come. The death of Eliseo's mother reunites them twenty years on in a last chance to find happiness and love. But what happens when the woman of your life is married to your brother

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Salva works as security guard in an industrial estate on the outskirts of Madrid. There he meets Leo, a woman who makes a living collecting cardboard. As Salva falls in love with her, Leo's dark past comes back to haunt her.

During Holy Week of 59 in the tragicomic social landscape of Franco's Spain, takes place the sentimental chronicle of a nine years old boy: Pablito. Pablito wants the pedal car he sees in a shop near his home. His family -middle class with bad luck - silently suffers the pressure of the other part of the family- middle class with good luck and best influences. The desire of the car and the hope to get it encourage his parents to take the child, piggy bank in hand, through a strange journey to the colorful and surprisingly familiar world full of lies and blackmail. Pablito emotionally survives in that environment thanks to his ability to get from his imagination the answers that parents and teachers do not give him. And that way, Pablito will create his own happy ending.