Doris Owanda Johnson

As a woman anxiously awaits her overdue period, she performs African-based rituals of purification. She cleans house and body, and calls on the spirits (Orishas in the Yoruba tradition), receiving much needed inspiration and assurance in a dream. The film combines beautifully intimate still and moving images of the woman’s body and home space, along with playful stop-motion sequences. —Jacqueline Stewart, UCLA Film and Television Archive

As a woman anxiously awaits her overdue period, she performs African-based rituals of purification. She cleans house and body, and calls on the spirits (Orishas in the Yoruba tradition), receiving much needed inspiration and assurance in a dream. The film combines beautifully intimate still and moving images of the woman’s body and home space, along with playful stop-motion sequences. —Jacqueline Stewart, UCLA Film and Television Archive

This innovative drama, set in Ohio, traces an African American couple's search for intimacy and friendship. The spirited, African-identified Yasmine Allen is a writer and single mother who has been dating saxophone teacher Craig Watkins for a month. Wishing to end her self-imposed celibacy following her son's birth, Yasmine has reached a turning point in the relationship-but Craig, the Big Lug, wants to take it slow. Sage advice from friends and family members remind them, "sex is a powerful thang." Like her highly acclaimed CYCLES, Davis's film incorporates animation as well as Afro-Haitian dance in a rich exploration of the lives of African Americans.