Acting
Vilma Madaras
Born 1920-01-13
Acting credits
8.0A past world is revived in the little cottage in the outskirts, next to the housing blocks under construction. Tamburás, the old hobo collects swerved youth: Diák, who desires freedom, the bus driver who is deprived of his license for having run over someone, and the rest. They have got an easy and unbound life there, with constant music, small thefts, occasional labour, tricks.
Villa Negra
1963
NRThe movie tells about the relationship between young people who love each other. Young Mishka's family works on a construction site in Budapest, and on weekends they come home to their village on the Great Plain to relax and have fun. It is here that the young man meets Klari. He learns that Klari is his fellow villager, although she also works in Budapest. They arrange to meet the following weekend. Mishka is truly in love. Clarie is too, but she doesn't dare to admit to him that she has been unfaithful.
Májusi fagy
1962
6.7A comedy about a lost inheritance, love and a red umbrella, which, according to a local legend, belonged to St. Peter himself.
St. Peter's Umbrella
1958
8.2On the Spring of 1945 the Jackson circus is heading towards the border with the clown Peti and Aida, the elephant. They have to play for the Hungarian Fascists, while Peti is hiding the Jew Annuska and Sanyika.
Keep Your Chin Up!
1954
7.0Jirka is a composer, his wife, Jana, a pianist. Jana would like to have an own concert, but so far she has only been selected to accompany Valenta during his concerts in Budapest. After some resentments, she accepts the proposal.
Every Day - Sunday
1962
7.5Judge Csanádi András makes a confession to his boss one night: he fell in love with the pretty, modern driver woman, Zenthe Judit in a fencing room. The girl suddenly returned his feelings. One night she confessed to him crying: she hit someone. The case was assigned to Csanádi, who wanted to investigate the circumstances meticulously despite his feelings. Thus the so far hidden life of Judit, which is bound to the past former world and its values is now highlighted. He is confused, asks his boss to absolve him from the assignment, but refuses to do so. Csanádi realises in the court room: Judit kept on telling lies, she played the lover for her own interest. The judge passed his crisis, he will deliver a fair sentence.
Hit and Run
1955
