Rafael de Luna Freire

In Esdras Baptista's film archives, kept at his home for decades, one can feel the fervor of those who believed in a new tomorrow. Filmed in Brazil in the early 1960s, in the heat of a libertarian political movement, the filmmaker's images materialize the incandescence of collective desires at the historic moment of their emergence. Utopia, though unattainable, is never a mere abstraction. A force that mobilizes actions and feelings, it constitutes the impetus necessary for human existence.

No synopsis available yet.

From a screening of "Antes, o Verão" (1968) in the Cinematheque of the Museum of Modern Artes of Rio de Janeiro, in 2005, "Reencontro com o Cinema" follows the rediscovery of the life and works of filmmaker Gerson Tavares, who hadn't worked with cinema in 30 years.

In Esdras Baptista's film archives, kept at his home for decades, one can feel the fervor of those who believed in a new tomorrow. Filmed in Brazil in the early 1960s, in the heat of a libertarian political movement, the filmmaker's images materialize the incandescence of collective desires at the historic moment of their emergence. Utopia, though unattainable, is never a mere abstraction. A force that mobilizes actions and feelings, it constitutes the impetus necessary for human existence.

No synopsis available yet.

No synopsis available yet.

From a screening of "Antes, o Verão" (1968) in the Cinematheque of the Museum of Modern Artes of Rio de Janeiro, in 2005, "Reencontro com o Cinema" follows the rediscovery of the life and works of filmmaker Gerson Tavares, who hadn't worked with cinema in 30 years.