Orman Aliyev

The feature documentary film dedicated to the 100th anniversary of the Azerbaijan Democratic Republic. The film highlights the events that took place on the last days of the Azerbaijan Democratic Republic.

August 1922. An American journalist, Jerry Thompson, travels to the Soviet Union and arrives in Azerbaijan. He visits the settlement of Mardakan in Baku. There, he meets an elderly man at a villa. Thompson can hardly believe what he hears. Standing before him is Haji Zeynalabdin Taghiyev, a once-great oil producer, millionaire, and philanthropist who lost all his wealth after the establishment of Soviet rule. Haji recounts his life story to the guest, a journey that saw him rise from a humble mason to an influential oil industrialist.

In the autumn of 1888, Baku is preparing for the visit of His Majesty Alexander III. Millionaire and member of the Baku City Duma, Haji Zeynalabdin Taghiyev, is fighting for influence and status in society. The city mayor, Orlovsky, taking advantage of his position, seeks to seize the oil field of Teymurbekov, who has committed suicide. Meanwhile, Ismail, the eldest son of Haji, meets General’s daughter, Nurjahan Arablinskaya, and intends to marry her.

The film "Eternal Mission" tells about the tumultuous fate of the delegation of the Azerbaijan Democratic Republic sent to the Paris Peace Conference in January 1919 under the leadership of Alimardan Bey Topchubashov, the Speaker of the Parliament.

The events depicted in the film embody the spirit, determination, and self-sacrifice of a generation that stood up to defend the Homeland, as exemplified by the special forces. At the center of the plot stand Special Forces officer Rashad Khalilov, Zeynep Ozdemir—a Turkish orthopedic surgeon working in Azerbaijan—and Colonel Ramazan Karimov, commander of the special operations group.

August 1922. Jerry Thompson, filled with respect, prepares to hear Haji’s story. May 1901. Haji Zeynalabdin Taghiyev works on opening the first school for Muslim girls in Baku, with support from his wife Sona. Cleric Akhund Abu Ziyad opposes the idea, sparking public debate. Reformers — Hasan bey Zardabi, Alimardan bey Topchibashev, Ahmed bey Agaev, and progressive clergy led by Mirza Abuturab — support education. The conflict escalates to attacks on teachers. Haji changes strategy and sends a representative abroad. He returns with approvals from major Islamic centers, confirming girls’ right to education. Victory is Haji’s. In October 1901, the school opens.

The feature documentary film dedicated to the 100th anniversary of the Azerbaijan Democratic Republic. The film highlights the events that took place on the last days of the Azerbaijan Democratic Republic.

August 1922. An American journalist, Jerry Thompson, travels to the Soviet Union and arrives in Azerbaijan. He visits the settlement of Mardakan in Baku. There, he meets an elderly man at a villa. Thompson can hardly believe what he hears. Standing before him is Haji Zeynalabdin Taghiyev, a once-great oil producer, millionaire, and philanthropist who lost all his wealth after the establishment of Soviet rule. Haji recounts his life story to the guest, a journey that saw him rise from a humble mason to an influential oil industrialist.

In the autumn of 1888, Baku is preparing for the visit of His Majesty Alexander III. Millionaire and member of the Baku City Duma, Haji Zeynalabdin Taghiyev, is fighting for influence and status in society. The city mayor, Orlovsky, taking advantage of his position, seeks to seize the oil field of Teymurbekov, who has committed suicide. Meanwhile, Ismail, the eldest son of Haji, meets General’s daughter, Nurjahan Arablinskaya, and intends to marry her.

The film "Eternal Mission" tells about the tumultuous fate of the delegation of the Azerbaijan Democratic Republic sent to the Paris Peace Conference in January 1919 under the leadership of Alimardan Bey Topchubashov, the Speaker of the Parliament.

The events depicted in the film embody the spirit, determination, and self-sacrifice of a generation that stood up to defend the Homeland, as exemplified by the special forces. At the center of the plot stand Special Forces officer Rashad Khalilov, Zeynep Ozdemir—a Turkish orthopedic surgeon working in Azerbaijan—and Colonel Ramazan Karimov, commander of the special operations group.

August 1922. Jerry Thompson, filled with respect, prepares to hear Haji’s story. May 1901. Haji Zeynalabdin Taghiyev works on opening the first school for Muslim girls in Baku, with support from his wife Sona. Cleric Akhund Abu Ziyad opposes the idea, sparking public debate. Reformers — Hasan bey Zardabi, Alimardan bey Topchibashev, Ahmed bey Agaev, and progressive clergy led by Mirza Abuturab — support education. The conflict escalates to attacks on teachers. Haji changes strategy and sends a representative abroad. He returns with approvals from major Islamic centers, confirming girls’ right to education. Victory is Haji’s. In October 1901, the school opens.

The movie is about the mixed relationships between a failed artist and his girlfriend. Returning home after a long period of imprisonment, the father tries to improve his son's life in the most radical ways.

1945. The women do the work in a remote village while the men are fighting the Nazis. A small group of deserters is hiding in the mountains and little Bahtiyar acts as the liaison between the men and the village.

The story of a DJ who volunteers to go to the front during the Second Karabakh War.

The story of a DJ who volunteers to go to the front during the Second Karabakh War.

Miras (Heritage) looks at the activities of the Nobel Brothers in the oil industry of Azerbaijan, one of the world’s oldest oil producers. After founding the first foreign company in the city of Baku at the end of the 19th century, the Nobel brothers name was glorified; yet few people know about the deep connection of the Nobel Prizes with Baku’s oil.

In the scarred lands of Karabakh, the process of demining and clearing unexploded ordnance is underway. Some demining teams are made up entirely of women. This is a story of fragility and strength, of choice and daily danger, of the land they are returning to. A story of women deminers.