Roberto Romero

"Yõg ãtak: My Father, Kaiowá" tells the story of Sueli Maxakali's search for her father, Luis Kaiowá, from whom she was separated during the military dictatorship in Brazil. The film follows the filmmaker's journey to find her father again, as well as the struggles faced by the Tikmũ'ũn and Kaiowá indigenous peoples in defense of their territories and ways of life.

In the past, when white people didn’t exist, we used to hunt with our yãmĩyxop spirits. The whites came, cut down the trees, dried up the rivers and scared the animals away. Today, our tall trees are over, the whites surrounded us and our lands are tiny. But our yãmĩyxop are very strong and taught us the stories and chants from our ancients who walked around here.

"Yõg ãtak: My Father, Kaiowá" tells the story of Sueli Maxakali's search for her father, Luis Kaiowá, from whom she was separated during the military dictatorship in Brazil. The film follows the filmmaker's journey to find her father again, as well as the struggles faced by the Tikmũ'ũn and Kaiowá indigenous peoples in defense of their territories and ways of life.

"Yõg ãtak: My Father, Kaiowá" tells the story of Sueli Maxakali's search for her father, Luis Kaiowá, from whom she was separated during the military dictatorship in Brazil. The film follows the filmmaker's journey to find her father again, as well as the struggles faced by the Tikmũ'ũn and Kaiowá indigenous peoples in defense of their territories and ways of life.

In the past, when white people didn’t exist, we used to hunt with our yãmĩyxop spirits. The whites came, cut down the trees, dried up the rivers and scared the animals away. Today, our tall trees are over, the whites surrounded us and our lands are tiny. But our yãmĩyxop are very strong and taught us the stories and chants from our ancients who walked around here.