Alberto D. Centeno

Set in a derelict theater, “Heartache” deploys tensely expressive movement in a darkly playful take on the dynamics of seeing and being seen. At once kitschy and confrontational, the dancers move with deadpan gazes through tight trios with razor-sharp precision and evocative gestures. Glimpses of private moments and vivid bodily imagery highlight the tension between the individual and society.

Set in a derelict theater, “Heartache” deploys tensely expressive movement in a darkly playful take on the dynamics of seeing and being seen. At once kitschy and confrontational, the dancers move with deadpan gazes through tight trios with razor-sharp precision and evocative gestures. Glimpses of private moments and vivid bodily imagery highlight the tension between the individual and society.

Set in a derelict theater, “Heartache” deploys tensely expressive movement in a darkly playful take on the dynamics of seeing and being seen. At once kitschy and confrontational, the dancers move with deadpan gazes through tight trios with razor-sharp precision and evocative gestures. Glimpses of private moments and vivid bodily imagery highlight the tension between the individual and society.