Coraly Zahonero

Nelly leaves her lazy, unemployed husband to work for retired judge Mr Arnaud, forty years her senior, after he offers to clear her bills for her. While she types his memoirs the two develop a close friendship, but Arnaud becomes jealous when Nelly begins dating his good-looking young publisher.

In the USSR, political prisoners who were scientists were not always sent to GULAG, but also to The First Circle (named after Dante's Inferno), a special incarceration unit near Moscow where they could work for the government.

When Chloe, a young Parisian, decides to take a long-overdue vacation, she has to find someone to look after Gris-Gris, her beloved cat. Everyone, including her gay male roommate, refuses to help her, but she finally makes an arrangement with the elderly Madame Renée, who often watches over other peoples' cats and dogs. However, when Chloe comes back, Madame Renée tells her that unfortunately the cat has been lost, and the unlucky owner goes on a search for her dear animal friend. While looking for the cat, she meets many colorful characters who populate the neighborhood.

I can tell you about my father's voyage on his boat, because I was with him all the time. It was a rather strange voyage, with no ocean or sea crossing, not even a lock to pass through... The boat stayed at home and so did my father. But that does not mean there was no adventure...

The antithesis of the virile heroes of his era, James Dean shook up the representation of adolescence and masculinity in three films shot in 1955, the same year he died in a car accident at the age of 24—exactly seventy years ago: Rebel Without a Cause, East of Eden, and Giant. This meteoric rise made him an instant icon, frozen in eternal, rebellious youth, which still resonates strongly today.

An ultra-orthodox Jewish family from Aix-les-Bains comes to a farm in southern Italy for a brief stay every year to carry out a sacred mission: harvesting citrons. Here Elio, the farm owner, meets Esther, the rabbi’s daughter, who is tired of the constraints imposed by her religion. Through this relationship, Esther will understand the importance of freedom and find her path, and, in the same way, Elio will find the peace he had lost for a long time.

For her latest project, commissioned by Arte and starring members of the Comédie-Française, Valeria Bruni Tedeschi (A Castle in Italy, Rendez-Vous 2014) shot an idiosyncratic, half-modernized adaptation of one of Chekhov’s greatest, most expansively melancholy plays.

In the Austrian Alps have found the body of a young woman who died in a skiing accident eight years earlier. Dr. Marc Pelletier decides to return to the scene, as it is the brother of his ex-girlfriend. When he reach the ski resort, a dreadful avalanche buries all the people.

After World War II, many young French women became housewives, convinced that devoting themselves entirely to caring for their families was a noble mission and a means of personal fulfillment.

After being wrongly convicted as a traitor, Peter Blood, an English physician, is sent to exile in the British colonies of the Caribbean, where he becomes a pirate.

La Comédie-Française is the oldest continuous repertory company in the world, founded in Paris in the late 17th century. This is the first time a documentary film-maker has been allowed to look at all the aspects of the work of this great theatrical company. Sequences in the film include sections of plays, casting, set and costume design, administrative meetings and rehearsals and performances of four classic French plays, Don Juan by Molière, La Thebaide by Racine, La Double Inconstance by Marivaux and Occupe-toi d'Amelie by Feydeau. (Zipporah Films)

Like nobody else Jean-Pierre Melville influenced modern filmmaking. This documentary follows his creative process step by step, showing him becoming the father of the Nouvelle Vague and one of the most iconic directors of French cinema.

A guided tour through the corridors of the Louvre to closely contemplate the works of Leonardo in the company of the curators of the exhibition, Vincent Delieuvin and Louis Frank.

Simon Arcos has a unique method for overcoming stress and the sores of life. Jean, Léa, Nathalie, Yolaine, Antoine and Hervé signed up for one of his internships. They are not out of the woods.

For her first production, Marina Hands chose "Six Characters in Search of an Author," a play by Luigi Pirandello that premiered in Rome in 1921. A team rehearsing is interrupted by six characters in search of an author willing to write their story, which has gone from drama to drama. Luigi Pirandello had the brilliant idea of doubling the conflictual relationships within this dysfunctional family with another type of dispute: the characters rebel against the false truth of the actors and actresses playing out their story. Filmed at the Théâtre du Vieux-Colombier in Paris's 6th arrondissement.

Video recording of the stage play "Le Soulier de Satin", played by La Comédie-Française at Paris during the 2024-2025 season, and directed for the stage by Eric Ruf. The play was recorded by Arnaud Desplechin.

Written in 1760, Carlo Goldoni’s comedy has never been performed at the Comédie-Française, perhaps overshadowed by the famousHoliday Trilogy. A satire of the Venetian merchant class, embodied by narrow-minded, complaining and intolerant men whose mistrust of the fairer sex borders on the absurd, The Boors perfectly illustrates Goldoni’s theatre, a “theatre of life with a real content, characters observed in reality, and a natural expression.” Thus, a theatre in which the man Voltaire described as “nature’s son and painter” scrutinises his contemporaries, their relationships and their social behaviour. His work served to entertain while providing posterity with an acute testimony of the morals of his time. Indeed, Jean-Louis Benoit warns against reducing the author to a simple “photographer of reality”.

Filmed 5 and 6 November 2020. Argan, suffering from hypochondria, decides to marry his daughter to a young doctor... The troupe of the Comédie-Française, led by Guillaume Gallienne and Bruno Podalydès, excels in this comedy-ballet, which is both a satirical farce and a reflection on death. The direction by Claude Stratz and the original music by Marc-Olivier Dupin breathe new life into this classic by Molière.

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