Kim Moo-young

One cold winter, Hee-tae is diagnosed as terminally ill. He receives a letter from his ex-wife who divorced him and left 10 years ago. She wants their son, who Hee-tae never saw, Min-sang's name to be registered under Hee-tae's family registry for a stable life.

Director Kim Moo-young focuses on anti-communist films produced during the era when anti-communist laws were enforced and films that were re-edited and released due to censorship, and ponders the power and status of images.

One cold winter, Hee-tae is diagnosed as terminally ill. He receives a letter from his ex-wife who divorced him and left 10 years ago. She wants their son, who Hee-tae never saw, Min-sang's name to be registered under Hee-tae's family registry for a stable life.

One cold winter, Hee-tae is diagnosed as terminally ill. He receives a letter from his ex-wife who divorced him and left 10 years ago. She wants their son, who Hee-tae never saw, Min-sang's name to be registered under Hee-tae's family registry for a stable life.

Director Kim Moo-young focuses on anti-communist films produced during the era when anti-communist laws were enforced and films that were re-edited and released due to censorship, and ponders the power and status of images.

Director Kim Moo-young focuses on anti-communist films produced during the era when anti-communist laws were enforced and films that were re-edited and released due to censorship, and ponders the power and status of images.

Director Kim Moo-young focuses on anti-communist films produced during the era when anti-communist laws were enforced and films that were re-edited and released due to censorship, and ponders the power and status of images.