Tommy Chu

A poor young man is wrongly charged with drug trafficking after being deceived. An ex-prosecutor investigates the case, uncovers a corrupt lawyer team's scheme, and restores justice despite obstruction from evil forces.

In 1980s Hong Kong, troubled youth Chan Lok-kwun, a mainland refugee, struggles to survive in the Kowloon Walled City by joining underground fights. Betrayed by crime boss Mr. Big while trying to buy a fake ID, he steals drugs from him and seeks refuge in the Walled City, where he encounters Cyclone, a compassionate yet authoritative crime lord.

Despite the pandemic sending most industries into recession, debt-ridden wedding planner Dominic (Dayo WONG) gets a miraculous chance to turn things around when a funeral planner retires and passes the baton to him. His creative gimmicks for funerals help his business find unexpected success, but Dominic’s biggest obstacle is winning the approval of respected and sternly traditional Taoist priest, Master Man (Michael HUI). After some unordinary funerals, Dominic gradually understands Master Man’s code of ethics and the meaning behind each farewell.

Cheng, 45, a restaurant owner from China, has travelled with his young son halfway around the world to a remote village in Finland. His wife died recently in an accident, and Cheng wanted to have a break from everything by traveling with his son to see an old Finnish friend who lives on a farm in the countryside of Finland. It’s the most remote place Cheng can imagine with endless forests, thousands of lakes, a country with entire population of one-fifth of Cheng’s home town, Shanghai.

Just out of jail, Fai finds a spot on a street corner where other homeless people welcome him. But he doesn’t get much time to settle in. The police soon chase them away, and their possessions disappear into a garbage truck. Young social worker Ms. Ho thinks it’s time to fight this in court. In the meantime, Fai and his friends have other concerns.

A decade ago, Cheung Lek was the brightest rising boxing star—known as “Golden Boy”—until a tragic incident stripped him of his freedom. Ten years later, released from prison, he comes face to face with Fong Yuen, the son he has never met. To claim the inheritance left by Fong Yuen’s mother, Cheung must learn to live with and take care of the boy. Thrust into fatherhood and confronted by past regrets, Cheung’s life is turned upside down once more. Through conflict and gradual reconciliation with his son, he begins to understand his true purpose. Confronting the ghosts of his past, Cheung decides to return to the ring—not only to reclaim his dream, but to become the role model his son deserves.

Once a high-flying financial advisor, Hay Man loses everything and moves from her Deep Water Bay mansion to her cousin's modest home in "Deep Water Bo". Hoping to restore her fortune, she agrees to coach a scrappy U12 football team led by her cousin Ying and neighbourhood children for a league organised by a clueless rich heir. What begins as reluctant duty soon transforms into true mentorship, as Hay Man helps the kids confront struggles and regains her own sense of purpose. When the underdog team reaches the finals, she must choose between luxury past and newfound identity.

A pair of slackers are forced to put aside their childish ways when a zombie outbreak makes its way to their small town.

No synopsis available yet.

An exorcist heir and an immortal from the Blood Tribe cross paths during an investigation, uncovering past-life entanglements while uniting to stop a powerful villain’s plan to take over the world.

No synopsis available yet.

Kay is a tough-as-nails investigative reporter, and goes undercover at a home for the disabled based on a tip about staff abuse of the residents. She not only corroborates the frightening allegations but also discovers how disastrously flawed Hong Kong’s health care system is, especially for those who cannot care for themselves. However, after her story breaks, further unspeakable truths are revealed leading Kay on a dire crusade for justice.

Wah Fu Estate in Aberdeen is the home of many urban legends, but few were as outlandish as the one that happened in the 1980s: One night, residents turned their heads to the sky and saw a giant UFO hovering above them for five minutes. No one else could prove or explain the odd phenomenon, but it becomes the pivotal event for three young people.

When has-been pop star So Sing Wah reluctantly agrees to join Summer, the daughter of his high school crush, Ha, on a journey to Japan to scatter Ha’s ashes, he has no idea that the trip will unravel not just distance, but time itself. In their teens, So and Ha shared music, hopes, and dreams—until a sudden departure changed everything. Now, they have a second chance.

The film takes place in 2046. The Chinese government has created the first cybernetic organism, K1, programmed with sophisticated social conscience, ideal for police applications. Initially deployed in a remote village for testing, K1, is loved by the villagers, and performs all duties and expectations flawlessly, except one. Su Mei, a fellow police officer falls in love with K1, creating a problem as cyborgs are not programmed to feel such feelings. Meanwhile, another cyborg, K88, disappears after suffering a neural meltdown, and K1 is called in to hunt down the renegade robot....

The story revolves around three couples dealing with accidental pregnancy, unfaithfulness, and planning a wedding with a meddling Mother-In-Law. Will they call it quits or remember why they fell in love in the first place?

Doomsday begins with an un-predictable epidemic. Survival is never an easy task when you yourself is comestible. Fight your way out with weapons, truly vengeance weapons. Be absolute vicious to your crazy enemies, you need "Zombie Guillotines".

A rebellious detective, distancing himself from his general father, teams up with a marginalized journalist to clear his father’s name after he’s framed for a brutal murder. As they investigate, they uncover a brutal truth hidden behind the era’s facade.

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Story follows Guy and Heidi five years into their relationship and faced with a serious dilemma: Whether or not it is time to marry and form a family. They're equally in love, and their relationship is going strong. But while Heidi is ready to settle down and believes that marriage is proof of one’s everlasting love, Guy holds the belief that marrying Heidi will result in him being tied down to a woman that he will one day grow distant from. Heidi consults her girlfriends for advice, and Guy consults the guys. What follows is an outright battle of the sexes, as Heidi plots devious ways of getting pregnant—with marriage as an end goal—as quickly as possible, and Guy schemes up a handful of contraceptive counter-strategies.

“Every man has his own destiny: the only imperative is to follow it, to accept it, no matter where it leads him.” Inside an after-hours bowling alley, a counselling session is underway with the attendances discussing the various merits and drawbacks of execution strategies and the prevention of occupational hazards. A man offers to play the flute and all hell breaks loose from there. The weapon is a folded chair, the victims his fellow professionals and the crime is predestined by karma. As the camera lingers on the gory actions, set to offbeat music and at times muted and occurring out-of-frame, a foreboding, dark and somewhat sinister overtone hangs heavy in the air. In a profession such as his, life is predestined by karma and choice is not an option.

Making a living from selling cheap wedding supplies doesn't free Fong from pressure to marry. She's been pushed beyond limits by unaffordable housing, archaic customs, and intrusive in-laws since engagement. More worrying is the comeback of a mainlander she's supposed to divorce out of a sham marriage.

In one of his finest dramatic performances yet, Louis Koo stars as a veteran ambulanceman who simply wants to do his job without any interference from his boss. While he considers emigrating with his daughter, he clashes with his new partner, a young go-getter on the fast-track up the bureaucratic ladder. A mature directorial effort by Cheuk Wan-chi, this dramedy about Hong Kong’s civil service culture and the latest emigration wave is a charming, yet sobering love letter to her city and its people, especially those who still remain.

"The more difficulties you suffer, the more you need to change and overcome." A shadow of his former self, Siu-ho is a tattooist who works for the triad and put tattoos on betrayers as punishment. His best friend Tyson, a fighter past his prime of life, also succumbs to reality and works on a job which he detests. As both of them experience a desperate period in their lives, they try to remind themselves the pursuit of life through the pain of tattooing and fighting. Fame and glory are not their goals, but feeling alive is. With too many forces in the city threatening to dash their dreams, will they succeed in forging ahead?