Arzu Cabar

Cengiz is an unemployed man. His kids have roles in a play that's to be put on National Heroism Week. As the rehearsals continue at home, Cengiz's behavior begins to change.

Successful lawyer Ayten, who deals with the cases of victimized women, takes the case of Emine, who killed her husband. A common point in the duo's past reminds all women that "the past is the mirror of the future".

People who have to leave where they live, let their photo taken for the last time in front of a backdrop. The photographer gives the photographs to everyone and they move away from the backdrop. "The Photograp"h takes a glimpse into the lives of all refugees who are forced to leave their country, from the point of view of the last moment they were together and happy. In doing so, the director who does not use any dialogues and thus does not offer any description, reveals his discourse on a global basis.