Miguel J. Crespo

Lukas Avendaño is the most important artist of the Muxe community. Poetry, dance and anthropology are the tools they use to enunciate and express themself. Since May 10, 2018, their brother Bruno mysteriously disappeared in Tehuantepec, Oaxaca. In Mexico, Bruno is one of 40 thousand missing persons. For Lukas, the search for Bruno has become their greatest utopia.

No synopsis available yet.

No synopsis available yet.

"Nobody told us that they would kill us, but neither did they tell them they would not silence us". Women journalists from several parts of Mexico who cover the beat of hard news, reveal the challenges they face when doing their work with various actors: their sources, law enforcement officers, drug trafficking and the state. Mexico is one of the most dangerous countries in which to practice journalism. Several reporters have been assassinated since 2000. Within this context, female journalists face a double challenge: firstly, to work in a country with a high level of anti-press, violence, and, secondly, the state and situation of their gender in a country riddled with femicide.

Lukas Avendaño is the most important artist of the Muxe community. Poetry, dance and anthropology are the tools they use to enunciate and express themself. Since May 10, 2018, their brother Bruno mysteriously disappeared in Tehuantepec, Oaxaca. In Mexico, Bruno is one of 40 thousand missing persons. For Lukas, the search for Bruno has become their greatest utopia.

Lukas Avendaño is the most important artist of the Muxe community. Poetry, dance and anthropology are the tools they use to enunciate and express themself. Since May 10, 2018, their brother Bruno mysteriously disappeared in Tehuantepec, Oaxaca. In Mexico, Bruno is one of 40 thousand missing persons. For Lukas, the search for Bruno has become their greatest utopia.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

"Nobody told us that they would kill us, but neither did they tell them they would not silence us". Women journalists from several parts of Mexico who cover the beat of hard news, reveal the challenges they face when doing their work with various actors: their sources, law enforcement officers, drug trafficking and the state. Mexico is one of the most dangerous countries in which to practice journalism. Several reporters have been assassinated since 2000. Within this context, female journalists face a double challenge: firstly, to work in a country with a high level of anti-press, violence, and, secondly, the state and situation of their gender in a country riddled with femicide.