Dmitry Krymov

The plot is reminiscent of a fairy tale, when the husband goes sailing, and as a farewell, the wife ties a thread to his button so that she knows where her beloved is.

Utilizing the third act motifs of Anton Chekhov’s Three Sisters as a jumping off point, Dmitry Krymov’s Fragment focuses in on Olga, the eldest of the three sisters. Like many of Chekhov’s heroes who attempt to overcome fate, she is doomed to fail, but it is in the attempt itself that she becomes so close and dear to us. Ultimately, we empathize with and love this very recognizable person who can’t adequately protect herself, her love, and her home.

An exploration of 20th century Russia, following the fusing of the Party and the state after the Russian Civil War, which opened the doors to corruption, resulting in the exiling of the left and right opposition. Described using a combination of historical settings, biographies and masterpieces from Russian avant-garde artists, composers and writers from this period in history.

Based on the play Boris Godunov by Alexander Pushkin, Dmitry Krymov’s Boris is a metaphor about the fate of Russia, its rulers and eternal values, subverting its ideas behind the cover of Pushkin’s text to show a direct line of the current governance of Russia with its imperial past, as well as all the myths on which Russian identity now rests. A flying raven, a poet, a folk choir, saints and sinners, living and dead - all come to life in the twilight of the Provision Warehouses of the Moscow Museum in this new interpretation of a classic work by one of the world’s most renowned stage directors.

The New York Times recently called Dmitry Krymov “one of the world’s finest theatermakers.” For this new adaptation of The Cherry Orchard, the world-renowned Russian director collaborates with the Wilma’s acclaimed HotHouse Acting Company to reimagine one of theater’s enduring masterworks. What is it like to lose your home? The Cherry Orchard centers around a Russian family grappling with the potential foreclosure of their estate, and a community in transition as the old makes way for the new. Volleyballs and sunflower seeds fly, while a giant mechanical train station flipboard tells the future … plus more surprises await in Krymov’s inventive re-interpretation. One family is in danger of losing their home, their comfort, and their power. What comes next … and who will profit?

Recorded play by Dmitry Krymov in Moscow Chekhov Art Theater, based on "Anna Karenina" by Leo Tolstoy.

The plot is reminiscent of a fairy tale, when the husband goes sailing, and as a farewell, the wife ties a thread to his button so that she knows where her beloved is.

The plot is reminiscent of a fairy tale, when the husband goes sailing, and as a farewell, the wife ties a thread to his button so that she knows where her beloved is.

Utilizing the third act motifs of Anton Chekhov’s Three Sisters as a jumping off point, Dmitry Krymov’s Fragment focuses in on Olga, the eldest of the three sisters. Like many of Chekhov’s heroes who attempt to overcome fate, she is doomed to fail, but it is in the attempt itself that she becomes so close and dear to us. Ultimately, we empathize with and love this very recognizable person who can’t adequately protect herself, her love, and her home.

Utilizing the third act motifs of Anton Chekhov’s Three Sisters as a jumping off point, Dmitry Krymov’s Fragment focuses in on Olga, the eldest of the three sisters. Like many of Chekhov’s heroes who attempt to overcome fate, she is doomed to fail, but it is in the attempt itself that she becomes so close and dear to us. Ultimately, we empathize with and love this very recognizable person who can’t adequately protect herself, her love, and her home.

Based on the play Boris Godunov by Alexander Pushkin, Dmitry Krymov’s Boris is a metaphor about the fate of Russia, its rulers and eternal values, subverting its ideas behind the cover of Pushkin’s text to show a direct line of the current governance of Russia with its imperial past, as well as all the myths on which Russian identity now rests. A flying raven, a poet, a folk choir, saints and sinners, living and dead - all come to life in the twilight of the Provision Warehouses of the Moscow Museum in this new interpretation of a classic work by one of the world’s most renowned stage directors.

The New York Times recently called Dmitry Krymov “one of the world’s finest theatermakers.” For this new adaptation of The Cherry Orchard, the world-renowned Russian director collaborates with the Wilma’s acclaimed HotHouse Acting Company to reimagine one of theater’s enduring masterworks. What is it like to lose your home? The Cherry Orchard centers around a Russian family grappling with the potential foreclosure of their estate, and a community in transition as the old makes way for the new. Volleyballs and sunflower seeds fly, while a giant mechanical train station flipboard tells the future … plus more surprises await in Krymov’s inventive re-interpretation. One family is in danger of losing their home, their comfort, and their power. What comes next … and who will profit?

Recorded play by Dmitry Krymov in Moscow Chekhov Art Theater, based on "Anna Karenina" by Leo Tolstoy.

Inspired by the tales of J.M. Barrie, Dmitry Krymov's "Peter Pan. Syndrome" is about art and the artist – the creator who, even when trapped in a dead end, when despair tightens around the throat and the urge to abandon everything feels unbearable, still returns to creation. Overcoming pain, he, like Peter Pan, cannot grow up from his passion for art; he continues to make miracles because he knows no other way to live. You want to let him go, to say, "Rest!" – but he is so radiant, his miracles so beautiful, and his heart so full of love that the audience, weeping, cannot bring themselves to release him.

Inspired by the tales of J.M. Barrie, Dmitry Krymov's "Peter Pan. Syndrome" is about art and the artist – the creator who, even when trapped in a dead end, when despair tightens around the throat and the urge to abandon everything feels unbearable, still returns to creation. Overcoming pain, he, like Peter Pan, cannot grow up from his passion for art; he continues to make miracles because he knows no other way to live. You want to let him go, to say, "Rest!" – but he is so radiant, his miracles so beautiful, and his heart so full of love that the audience, weeping, cannot bring themselves to release him.

Inspired by a 1975 American touring production of Thornton Wilder’s “Our Town” he visited as a young man, Dmitry Krymov’s “Everyone is Here” is a memory piece, a starting point for a flight of imagination and immersion into his own past. Wilder’s “Our Town” is superimposed on the personal memories of Krymov, his biography and events from his family life. The structure of the play gives rise to an interweaving of events, memories, reminiscences, fantasies, associations, dreams - a carefully planned, as if random confusion, which in the finale leads the viewer to a keen awareness of their own life.

Inspired by a 1975 American touring production of Thornton Wilder’s “Our Town” he visited as a young man, Dmitry Krymov’s “Everyone is Here” is a memory piece, a starting point for a flight of imagination and immersion into his own past. Wilder’s “Our Town” is superimposed on the personal memories of Krymov, his biography and events from his family life. The structure of the play gives rise to an interweaving of events, memories, reminiscences, fantasies, associations, dreams - a carefully planned, as if random confusion, which in the finale leads the viewer to a keen awareness of their own life.