Catherine Anne Martin

This documentary takes you on a reflective journey into the extended family of Nova Scotia’s Mi'kmaq community. Revisiting her own roots, Mi'kmaq filmmaker and mother Catherine Anne Martin explores how the community is recovering its First Nations values, particularly through the teachings of elders and a collective approach to children-rearing. Mi'kmaq Family is an inspiring resource for both Indigenous and non-Indigenous audiences who are looking for ways to strengthen and explore their own families and traditions. We hear the Mi'kmaq language spoken and a lullaby is sung by a Mi'kmaq grandmother featured in the film.

In 1975, Annie Mae Pictou Aquash, a 30-year-old Nova Scotia born-Mi'kmaq, was shot dead, execution style, on a desolate road in South Dakota. Nearly three decades later the crime remains a mystery. Aquash was highly placed in the American Indian Movement (AIM), a radical First Nations organization that took up arms in the 1970s to fight for the rights of their people. The Spirit of Annie Mae is the story of Aquash's remarkable life and her brutal murder. It is a moving tribute from the women who were closest to her: the two daughters who fled with their mother when she hid from the FBI; the young women she inspired to embrace Native culture; and the other activists, including Buffy Sainte-Marie and investigative journalist Minnie Two Shoes, who stood in solidarity with her. All are still trying to understand why she met such a violent death. Follow them on their journey as they celebrate the life of a woman who inspired a generation of Indigenous people.

This film profiles a number of Mi’kmaq and Maliseet artists from Nova Scotia and New Brunswick, showing their similarities and differences, samples of their work and the sources of their inspiration. It offers a remarkable look at Indigenous art and spirituality in Atlantic Canada.

Decades before the Truth and Reconciliation Commission, Shirley Bear was defying repressive colonial narratives with inspiring imagery of Indigenous womanhood. Catherine Martin profiles the Wolastoqiyik/Malecite artist known as Minqon Minqon (Rainbow Rainbow).

Renown Mi’kmaw filmmaker Catherine Martin’s short film took decades to put together, and looks at the effort and skill that go into traditional baskets.

This documentary takes you on a reflective journey into the extended family of Nova Scotia’s Mi'kmaq community. Revisiting her own roots, Mi'kmaq filmmaker and mother Catherine Anne Martin explores how the community is recovering its First Nations values, particularly through the teachings of elders and a collective approach to children-rearing. Mi'kmaq Family is an inspiring resource for both Indigenous and non-Indigenous audiences who are looking for ways to strengthen and explore their own families and traditions. We hear the Mi'kmaq language spoken and a lullaby is sung by a Mi'kmaq grandmother featured in the film.

In 1975, Annie Mae Pictou Aquash, a 30-year-old Nova Scotia born-Mi'kmaq, was shot dead, execution style, on a desolate road in South Dakota. Nearly three decades later the crime remains a mystery. Aquash was highly placed in the American Indian Movement (AIM), a radical First Nations organization that took up arms in the 1970s to fight for the rights of their people. The Spirit of Annie Mae is the story of Aquash's remarkable life and her brutal murder. It is a moving tribute from the women who were closest to her: the two daughters who fled with their mother when she hid from the FBI; the young women she inspired to embrace Native culture; and the other activists, including Buffy Sainte-Marie and investigative journalist Minnie Two Shoes, who stood in solidarity with her. All are still trying to understand why she met such a violent death. Follow them on their journey as they celebrate the life of a woman who inspired a generation of Indigenous people.

This film profiles a number of Mi’kmaq and Maliseet artists from Nova Scotia and New Brunswick, showing their similarities and differences, samples of their work and the sources of their inspiration. It offers a remarkable look at Indigenous art and spirituality in Atlantic Canada.

Decades before the Truth and Reconciliation Commission, Shirley Bear was defying repressive colonial narratives with inspiring imagery of Indigenous womanhood. Catherine Martin profiles the Wolastoqiyik/Malecite artist known as Minqon Minqon (Rainbow Rainbow).

Renown Mi’kmaw filmmaker Catherine Martin’s short film took decades to put together, and looks at the effort and skill that go into traditional baskets.