Jordan Rezgui

An unlikely oddball trio bond during an impromptu trip to the French countryside on a foolhardy romantic mission.

Paris, when a young artist discovers a mysterious drowned woman, his obsession to immortalize her in a portrait threatens his sanity. Decades later, the photograph resurfaces, consuming a young journalist whose pursuit of the truth blurs the line between memory, myth, and madness.

An afternoon in a city. Playing basketball, a group of boys wonder about the relationship between men and women, about virility and seduction. In a building nearby, five girls will meet and wonder about the world and the relationship of tomorrow.

Moussa, an apprentice boxer, has a crush on Sanaa who has just moved into his city. On the advice of his friend Matthieu, he decides to learn a mysterious discipline that could help him seduce the young woman: The K-Z

At the bottom. That's where Yaya and Zakri feel they are living in the projects of Paris. One day, they discover a bag full of money hidden in a parking garage. The two friends finally see an opportunity for them to change things and decide to throw the biggest party their hood has ever known. But their new found luck won't last very long...

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Theater director Thomas Ostermeier stages Bertolt Brecht and Kurt Weill's timelessly magnificent "Threepenny Opera" with the ensemble of the Comédie Française in Aix-en-Provence, based on a new translation of the original text by Alexandre Pateau. In London's underworld district of Soho, the beggar king Jonathan Peachum and the criminal Macheath, known as Mackie Messer, are at war. The latter also seduces the daughter of the shady "businessman". When he finds out that the two have secretly celebrated a wedding, he decides to get rid of his rival. He is aided in his endeavors by Jenny, a cunning whore who betrays her ex-lover to the police. Back to the original: First performed in 1928, the opera parody strings together one biting musical number after another in cabaret style and jazz rhythm, breaking the boundaries of the genre, which until then had been considered bourgeois. Because the "Threepenny Opera" by Bertolt Brecht and Kurt Weill is clearly political!