Bárbara Lluch

No synopsis available yet.

Adriana and her mother left Brumal, a strange and remote village, and moved to the city while still a child. Once Adriana's mother dies, she's marked by memories and intense nostalgia for her hometown, and returns to Brumal.

Opera in three acts. Broadcast live from El Teatro de la Zarzuela on November 18, 2018.

No synopsis available yet.

In the early 20th century, Countess Carmen Díaz de Mendoza Aguado, inspired yet frustrated by Mozart’s Don Giovanni, sets out to write her own version but struggles with doubt, societal pressures, and a haunting inner voice, leading to her play’s failure. Decades later, fragments of her life and work resurface through obituaries and fading memories. In 2024, a modern composer seeks to rediscover and reinvent her lost opera, conversing with the echoes of the past to reclaim the Countess’s silenced voice and vision.

The King Who Raved was created by Ramos Carrión, Vital Aza and Chapí in 1891; it is a milestone in the history of lyric theatre and on the stage of the Teatro de la Zarzuela. For few kings, not even the most popular kings of history, nor those most loved by their people, will have been so acclaimed, so applauded, or so hoorayed as our King in this kingdom of La Zarzuela.

No synopsis available yet.

Opera in three acts. Broadcast live from El Teatro de la Zarzuela on November 18, 2018.

In the early 20th century, Countess Carmen Díaz de Mendoza Aguado, inspired yet frustrated by Mozart’s Don Giovanni, sets out to write her own version but struggles with doubt, societal pressures, and a haunting inner voice, leading to her play’s failure. Decades later, fragments of her life and work resurface through obituaries and fading memories. In 2024, a modern composer seeks to rediscover and reinvent her lost opera, conversing with the echoes of the past to reclaim the Countess’s silenced voice and vision.

The King Who Raved was created by Ramos Carrión, Vital Aza and Chapí in 1891; it is a milestone in the history of lyric theatre and on the stage of the Teatro de la Zarzuela. For few kings, not even the most popular kings of history, nor those most loved by their people, will have been so acclaimed, so applauded, or so hoorayed as our King in this kingdom of La Zarzuela.