Ruth Olaizola

Cristóbal Balenciaga makes his debut as a designer in Paris, but the designs that set a trend in Spain don't work well in the sophisticated empire of fashion where Chanel, Dior, and Givenchy set the trends. Guided by his obsession with control in all aspects of his life, Balenciaga will define his style and end up becoming the greatest of all.

The originality of the show lies in the gap between the narrative provided by the voice-over (omnipresent) and the visible, concrete actions played on stage by the characters in an almost silent film: their play, sometimes very poetic, transcends narration. As a result, not only is the spectator's emotion intense, but the philosophical reflection on the meaning (s) of the work emerges: since Man sells his thought, his body, his time, in exchange for a salary, since he is constantly in exchange, barter, link, is he a "merchant"? What is he walking towards?

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A staging of Joël Pommerats's play "Ma chambre froide" by himself.

Cristóbal Balenciaga makes his debut as a designer in Paris, but the designs that set a trend in Spain don't work well in the sophisticated empire of fashion where Chanel, Dior, and Givenchy set the trends. Guided by his obsession with control in all aspects of his life, Balenciaga will define his style and end up becoming the greatest of all.