Zdeněk Rytíř

The dreaded Italian mafioso, Marian Labuda, will also be convinced. Mafioso Carmello was guilty of the principles of his organization when he tried to fool the boss and earned a death sentence. The convict runs away from the killer through Vienna to Prague, which his Austrian colleague in crime recommended as a safe hiding place. None of them knows that the Czechs learned so much tricks under real socialism that a seasoned Italian professional is not enough to watch.

A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers. He only fails at the swimming pool. Zuzana (Jana Sulcová), the good-looking blonde, ignores the men whom the devil foists off onto her. She loves Honza (Václav Neckár) and the boy shares her feelings. The fiend is annoyed by the couple and tries to provoke a row. He sends heavy rain to force them into a hotel and then warns Zuzana's father by phone, but the young lovers manage to get out in time. Then the obstinate Asmodeus takes Honza in his sleep to the Institute for Emotional Disorders, where he shows him the ugly sides of love - hysteria, voyeurism, fetishism, suicide attempts...

Black comedy about a genius inventor and two young, smart and beautiful women. Both of them putting all their effort into getting the one man. This will inevitable lead to all sorts of mischief, crime and even a murder. This murder-comedy, shot at the dawn of normalization has intentionally broke off from any connection to the reality of its time. The director Zdeněk Podskalský has focused on creating intriguing story lines, revolving around the two endeavouring female characters who are fighting for the same man. Two competing parties are not only ready to kill the other, but also (if necessary) the potential groom. This film has enabled the members of the cast, composed mainly of the brightest stars of the Czech acting scene of that time, to show an incredible acting range, from the lightest comedy to the darkest cynical morbidity.

In this 1999 documentary, which took three years to shoot, director Jan Mudra reveals Hapka's obsession with creativity, his incredible energy, and his abundance of ideas. He recalls his family background, his studies at the acting conservatory, and his first roles in Czech films. Petr Hapka began his career as a composer in the 1960s. Even then, he began writing for Hana Hegerová, with whom, as he says, he entered into a musical marriage that continues to this day. In the film, his three main lyricists—Petr Rada, Zdeněk Rytíř, and Michal Horáček—recall their work with Hapka. Many viewers may be surprised to learn that Petr Hapka also composed the music for three famous plays by the Divadlo Za branou theater: Provaz o jednom konci (A Rope with One End), Zelený papoušek (The Green Parrot), and Hodina lásky (The Hour of Love), as recalled in the film by director Otomar Krejča. He also composed the music for several films.