Directing

Geoffrey Dunn

Known for

Directing

Credits

5 titles

Known for

Calypso Dreams poster
9.0

Produced and directed by Geoffrey Dunn and Michael Horne with co-producers Mark Schwartz, Eric Thierman, associate producers Alvin Daniel, Sandra Derrell and Andrew Marcano (Lord Superior), Calypso Dreams is an intimate portrait of some of the true Calypsonians in Trinidad and Tobago, in performance and in conversation. Shot over 3 years in Port of Spain, Trinidad, the documentary includes such legendary calypsonians as Lord Pretender, Lord Kitchener, The Mighty Bomber, Relator, Lord Superior, Brigo, Mystic Prowler, Calypso Rose, The Mighty Sparrow, Terror, Valentino, Blakie, David Rudder, Regeneration Now, The Mighty Duke, Conqueror and many others. (from https://www.calypsodreams.com/film.htm)

Calypso Dreams

2004

Voyage of the Heart poster
8.0

A middle-aged fisherman and a young college co-ed fall in love with each other.

Voyage of the Heart

1989

Miss...Or Myth? poster
8.0

A feminist activist organization determined to bring attention to superficiality and the rampant objectification of women in modern American society chooses the 1985 Miss California Beauty Pageant as the site for its disruptive guerrilla demonstration. The group meets in Santa Cruz, Calif., and orchestrates its own competition -- one that attracts media attention and shocks passersby with its thought-provoking and satirical alternate reading of the institution of the American beauty pageant.

Miss...Or Myth?

1987

Dollar a Day, 10 Cents a Dance poster
NR

Enticed by the promise of jobs and fair wages, 100,000 Filipinos immigrated to the U.S. between 1924 and 1935 to toil on California’s farmlands. Because of the exclusion of Filipina women and U.S. anti-miscegenation laws, they survived the loneliness of racial discrimination by creating close-knit bachelor societies where cockfights, poker games and dance halls served as their entertainment, and by entering into common law marriages.

Dollar a Day, 10 Cents a Dance

1984

Behind the camera

Calypso Dreams poster
9.0

Produced and directed by Geoffrey Dunn and Michael Horne with co-producers Mark Schwartz, Eric Thierman, associate producers Alvin Daniel, Sandra Derrell and Andrew Marcano (Lord Superior), Calypso Dreams is an intimate portrait of some of the true Calypsonians in Trinidad and Tobago, in performance and in conversation. Shot over 3 years in Port of Spain, Trinidad, the documentary includes such legendary calypsonians as Lord Pretender, Lord Kitchener, The Mighty Bomber, Relator, Lord Superior, Brigo, Mystic Prowler, Calypso Rose, The Mighty Sparrow, Terror, Valentino, Blakie, David Rudder, Regeneration Now, The Mighty Duke, Conqueror and many others. (from https://www.calypsodreams.com/film.htm)

Calypso Dreams

2004

Voyage of the Heart poster
8.0

A middle-aged fisherman and a young college co-ed fall in love with each other.

Voyage of the Heart

1989

Miss...Or Myth? poster
8.0

A feminist activist organization determined to bring attention to superficiality and the rampant objectification of women in modern American society chooses the 1985 Miss California Beauty Pageant as the site for its disruptive guerrilla demonstration. The group meets in Santa Cruz, Calif., and orchestrates its own competition -- one that attracts media attention and shocks passersby with its thought-provoking and satirical alternate reading of the institution of the American beauty pageant.

Miss...Or Myth?

1987

Miss...Or Myth? poster
8.0

A feminist activist organization determined to bring attention to superficiality and the rampant objectification of women in modern American society chooses the 1985 Miss California Beauty Pageant as the site for its disruptive guerrilla demonstration. The group meets in Santa Cruz, Calif., and orchestrates its own competition -- one that attracts media attention and shocks passersby with its thought-provoking and satirical alternate reading of the institution of the American beauty pageant.

Miss...Or Myth?

1987

Dollar a Day, 10 Cents a Dance poster
NR

Enticed by the promise of jobs and fair wages, 100,000 Filipinos immigrated to the U.S. between 1924 and 1935 to toil on California’s farmlands. Because of the exclusion of Filipina women and U.S. anti-miscegenation laws, they survived the loneliness of racial discrimination by creating close-knit bachelor societies where cockfights, poker games and dance halls served as their entertainment, and by entering into common law marriages.

Dollar a Day, 10 Cents a Dance

1984