Michel Rautmann

The film shows how Renato Freitas breaks into the spaces of institutional power, going head-to-head with corrupt political bosses and fighting radically for the lives of all people. We go behind the scenes of these clashes, the persecution, and the resistance strategies of one of us in power.

Maria eagerly awaits a meeting.

A light leads the way, a book hides secrets.

At a time when capitalism seems to have metaphysical values never seen before, it is easier to imagine the end of the world than the end of capitalism. If not, we feel that there is no way out for late capitalism if not the end of the world: a climate catastrophe that will end humanity as we understand it.

A dadaistic exercise of the image.

In February 2002, my father and his friend embarked on a trip to a small village on the border between Alagoas and Pernambuco in order to document the families of those who had stayed in Curitiba.

Maria eagerly awaits a meeting.

A light leads the way, a book hides secrets.

A light leads the way, a book hides secrets.

A light leads the way, a book hides secrets.

At a time when capitalism seems to have metaphysical values never seen before, it is easier to imagine the end of the world than the end of capitalism. If not, we feel that there is no way out for late capitalism if not the end of the world: a climate catastrophe that will end humanity as we understand it.

A dadaistic exercise of the image.

A dadaistic exercise of the image.

In February 2002, my father and his friend embarked on a trip to a small village on the border between Alagoas and Pernambuco in order to document the families of those who had stayed in Curitiba.

In February 2002, my father and his friend embarked on a trip to a small village on the border between Alagoas and Pernambuco in order to document the families of those who had stayed in Curitiba.

Longing for a missed connection, a ghostly link to the past appears.

Longing for a missed connection, a ghostly link to the past appears.