Dimitris Kafidas

Centaurs are creatures from the Greek mythology with a head and torso of a man on the body of a horse. Supposedly, they lived in Greek forests. Some people who believe they really exist are willing to pay large sums for a meeting with them. In Hotel Centaur, located in picturesque surroundings, a group of colourful eccentrics organise a get-together. Young Greek cinema is definitely in a great shape. The story seems to engage in an intriguing dialogue with Jorgos Lanthimos’s films. It is a unique combination of a sublime from, the absurd, the sun and a social satire. The atmosphere and rhythm of the surprising script is intensified by the score composed by sound artist Dimitra Sofroniou.

Spiros, a motorcycle acrobat of the Circle of Death, lives a nomadic life together with his family, his caravan, and a few acrobats who often abandon him. His dad was a legend of the Circle of Death and so were his uncle and his grandfather – a family tradition for over 50 years! Will Spiros manage to make ends meet, and, furthermore, is this vanishing profession going to get a second wind? Are his sons willing to take the wheel? A human portrait of an old-school lover of speed in a rapidly changing world.

Centaurs are creatures from the Greek mythology with a head and torso of a man on the body of a horse. Supposedly, they lived in Greek forests. Some people who believe they really exist are willing to pay large sums for a meeting with them. In Hotel Centaur, located in picturesque surroundings, a group of colourful eccentrics organise a get-together. Young Greek cinema is definitely in a great shape. The story seems to engage in an intriguing dialogue with Jorgos Lanthimos’s films. It is a unique combination of a sublime from, the absurd, the sun and a social satire. The atmosphere and rhythm of the surprising script is intensified by the score composed by sound artist Dimitra Sofroniou.

Centaurs are creatures from the Greek mythology with a head and torso of a man on the body of a horse. Supposedly, they lived in Greek forests. Some people who believe they really exist are willing to pay large sums for a meeting with them. In Hotel Centaur, located in picturesque surroundings, a group of colourful eccentrics organise a get-together. Young Greek cinema is definitely in a great shape. The story seems to engage in an intriguing dialogue with Jorgos Lanthimos’s films. It is a unique combination of a sublime from, the absurd, the sun and a social satire. The atmosphere and rhythm of the surprising script is intensified by the score composed by sound artist Dimitra Sofroniou.

Centaurs are creatures from the Greek mythology with a head and torso of a man on the body of a horse. Supposedly, they lived in Greek forests. Some people who believe they really exist are willing to pay large sums for a meeting with them. In Hotel Centaur, located in picturesque surroundings, a group of colourful eccentrics organise a get-together. Young Greek cinema is definitely in a great shape. The story seems to engage in an intriguing dialogue with Jorgos Lanthimos’s films. It is a unique combination of a sublime from, the absurd, the sun and a social satire. The atmosphere and rhythm of the surprising script is intensified by the score composed by sound artist Dimitra Sofroniou.

Spiros, a motorcycle acrobat of the Circle of Death, lives a nomadic life together with his family, his caravan, and a few acrobats who often abandon him. His dad was a legend of the Circle of Death and so were his uncle and his grandfather – a family tradition for over 50 years! Will Spiros manage to make ends meet, and, furthermore, is this vanishing profession going to get a second wind? Are his sons willing to take the wheel? A human portrait of an old-school lover of speed in a rapidly changing world.