Directing
Roger Neyra
Known for
Directing
Credits
9 titles
Róger Daniel Neira was born in Trujillo, Peru, in 1980. He studied Film Directing at the Charles Chaplin Institute in Lima. Simultaneously, he trained in art, acting, and the semiotics of the image at the School of Fine Arts, Ricardo Palma University, and the Cultural Center of San Marcos University. He received a scholarship to participate in the Creative Documentary Diploma program at the University of Valle, Colombia. He has pursued film directing studies in Peru, Argentina, and Colombia. He has written and directed seven short documentaries and three short fiction films, which have won several national and international awards and have been screened at more than 80 international film fes…
Known for
NRAn experimental poetic work. Two perspectives, two Super 8 cameras reveal the home, the humanity, and the passion for cinema of one of the masters of Peruvian film: Gianfranco Annichini. A diptych that ultimately becomes an open work…
9 ½
2020
NRDocumentary about the negative cutter Ines Cederma, one of the main preservers of Peruvian cinema.
Inés Cederma
2024
Lake Titicaca, home to the Uros people for a thousand years, is at risk of disappearing due to water pollution. Through the stories of Julio, Maribel, and Don Isidro, we discover the ancestral customs of this community, their sacred relationship with nature, and above all, how they honor, protect, and respect water as a sacred element that sustains all life.
Uros, guardianes del agua
2008
NRIt's a love story of encounter and parting. A man lost in the madness of alcohol has only his saxophone, a cat, and a distant love etched in his heart. Fiction in black and white. Symphonic tango, shamanic visual poem. He, She, The River; three characters, one destiny: the embrace of eternity.
…Él, ella, el río
2016
In a globalized world, the consolidation of identity appears as a significant asset, one that prevents the disappearance of original cultures. With an intimate tone and a profound gaze, "The Guardians of Clay" shows us how an entire family of artisans, despite the ridicule of their own neighbors, resists the loss of their culture and ancestral customs.
Los guardianes del barro
2007
NRAlejandrina show us her connection with fire, plants and animals. Meanwhile, she tell us the changes that massacres, terrorism and drug trafficking have provoked in her culture. Are the lumbermen or the miners going to end her cultural history?
Shipibos Konibos: Hombres mono, Hombres peces
2015
Behind the camera
NRAn experimental poetic work. Two perspectives, two Super 8 cameras reveal the home, the humanity, and the passion for cinema of one of the masters of Peruvian film: Gianfranco Annichini. A diptych that ultimately becomes an open work…
9 ½
2020
NRDocumentary about the negative cutter Ines Cederma, one of the main preservers of Peruvian cinema.
Inés Cederma
2024
Lake Titicaca, home to the Uros people for a thousand years, is at risk of disappearing due to water pollution. Through the stories of Julio, Maribel, and Don Isidro, we discover the ancestral customs of this community, their sacred relationship with nature, and above all, how they honor, protect, and respect water as a sacred element that sustains all life.
Uros, guardianes del agua
2008
NRIt's a love story of encounter and parting. A man lost in the madness of alcohol has only his saxophone, a cat, and a distant love etched in his heart. Fiction in black and white. Symphonic tango, shamanic visual poem. He, She, The River; three characters, one destiny: the embrace of eternity.
…Él, ella, el río
2016
In a globalized world, the consolidation of identity appears as a significant asset, one that prevents the disappearance of original cultures. With an intimate tone and a profound gaze, "The Guardians of Clay" shows us how an entire family of artisans, despite the ridicule of their own neighbors, resists the loss of their culture and ancestral customs.
Los guardianes del barro
2007
NRAlejandrina show us her connection with fire, plants and animals. Meanwhile, she tell us the changes that massacres, terrorism and drug trafficking have provoked in her culture. Are the lumbermen or the miners going to end her cultural history?
Shipibos Konibos: Hombres mono, Hombres peces
2015
NRAlejandrina show us her connection with fire, plants and animals. Meanwhile, she tell us the changes that massacres, terrorism and drug trafficking have provoked in her culture. Are the lumbermen or the miners going to end her cultural history?
Shipibos Konibos: Hombres mono, Hombres peces
2015
7.0They have the power of the Apus! They live at more than 16,000 fasml since centuries! But their culture is in danger by the mining.
Q'eros: Hombres de Altura
2010
7.0They have the power of the Apus! They live at more than 16,000 fasml since centuries! But their culture is in danger by the mining.
Q'eros: Hombres de Altura
2010
