Marc Gough

Australia, 1953. Thirteen-year-old Tom Allen attends a strict Catholic seminary for boys administered by De La Salle Brothers. The adolescent students and their adult instructors struggle deeply with sexual repression and religious doubt.

In the vision of Philippe Grandrieux, the director of Tristan und Isolde, the latter is the driving force behind the passionate drama of Tristan and herself. She is an erotomaniac who wants to possess and swallow him whole. Philippe Grandrieux's direction focuses on Isolde's desire and not the desire of both of them (as classical literature usually reads Wagner's opera).

When the rich and powerful Buoso Donati dies, his family's excitement about his estate is infinitely greater than their sorrow over his loss. They start searching for his will like a flock of hungry vultures. Apparently Donati has bequeathed everything to a monastery. There is absolutely no way they will allow this to happen. They search any means to seize the fortune. Rinuccia, the youngest scion of the family, suggests asking Gianni Schicchi, the father of her lover, for advice. They shudder at the mention of his name, but Gianni Schicchi is already on his way and proves to be a man with ideas.