Isabel Aboim Inglez

On a hot summer afternoon, life unfolds, shadows grow and the wind blows. Two children play without noticing that time advances relentlessly, theirs, the one of the creatures, the one of the earth, and the one of the imagination. This elastic and layered time reveals itself in its traces, marks, and elements, allowing us to learn more about earth and its inhabitants. Five narrators accompany us in this excavation that is intended to be infinite, revealing time and its marks.

In far away Paraguay, there was a young man ... who in his heart had an empty meadow." This is the theme for a musical film in animation, where the director plays exemplary with screens, guns and money, between narrative and abstraction. Chagall, Picasso and Kandinsky hang around in a synthesis that seemed impossible, a film adapted from a book by P. Cachapa.

Through a stimulant intercross of techniques -which incorporates not only photography but also traditional animation and stop motion, among others- Isabel Aboim Ingles constructs a collage that is so playful as it is personal, in which she reflects on the pass of time, ages, aches and human nature.

Ana is a child, girl, adult, tall, fat, thin... Ana is the part of all of us that once in a while wakes up without knowing who she is. That conscious amnesia that propels us to travel, question, look without tiring even though it might not be clear who or what we might find.

On a hot summer afternoon, life unfolds, shadows grow and the wind blows. Two children play without noticing that time advances relentlessly, theirs, the one of the creatures, the one of the earth, and the one of the imagination. This elastic and layered time reveals itself in its traces, marks, and elements, allowing us to learn more about earth and its inhabitants. Five narrators accompany us in this excavation that is intended to be infinite, revealing time and its marks.

In far away Paraguay, there was a young man ... who in his heart had an empty meadow." This is the theme for a musical film in animation, where the director plays exemplary with screens, guns and money, between narrative and abstraction. Chagall, Picasso and Kandinsky hang around in a synthesis that seemed impossible, a film adapted from a book by P. Cachapa.

Through a stimulant intercross of techniques -which incorporates not only photography but also traditional animation and stop motion, among others- Isabel Aboim Ingles constructs a collage that is so playful as it is personal, in which she reflects on the pass of time, ages, aches and human nature.

Through a stimulant intercross of techniques -which incorporates not only photography but also traditional animation and stop motion, among others- Isabel Aboim Ingles constructs a collage that is so playful as it is personal, in which she reflects on the pass of time, ages, aches and human nature.

Through a stimulant intercross of techniques -which incorporates not only photography but also traditional animation and stop motion, among others- Isabel Aboim Ingles constructs a collage that is so playful as it is personal, in which she reflects on the pass of time, ages, aches and human nature.

Ana is a child, girl, adult, tall, fat, thin... Ana is the part of all of us that once in a while wakes up without knowing who she is. That conscious amnesia that propels us to travel, question, look without tiring even though it might not be clear who or what we might find.

Ana is a child, girl, adult, tall, fat, thin... Ana is the part of all of us that once in a while wakes up without knowing who she is. That conscious amnesia that propels us to travel, question, look without tiring even though it might not be clear who or what we might find.