Camera
Sraiyanti
Acting credits
Behind the camera
NRMohana is the president of the first trade union for women auto rickshaw drivers in the southeast Indian state of Tamil Nadu. As well as maneuvering her own auto through the busy streets of Chennai, she has to navigate a sexist and patriarchal system to secure equal opportunities for women drivers. She faces constant resistance—with conflicts and humiliations every day.
Auto Queens
2025
NRThe film chronicles four events that take place over a span of two days, all relating to superstition and spirituality in India. It aims to show the thin line between harmless faith and the kind that puts down human dignity in the name of religion. Starting with a Godman with questionable intent, it moves on to a place where women are segregated during their periods, a lady isn't allowed to enter her place of worship for being born into a specific caste, and finally to a dargah where mentally ill women are admitted for being cured of their demons.
OUR GODS ARE LIKE THAT
—
NRThe film chronicles four events that take place over a span of two days, all relating to superstition and spirituality in India. It aims to show the thin line between harmless faith and the kind that puts down human dignity in the name of religion. Starting with a Godman with questionable intent, it moves on to a place where women are segregated during their periods, a lady isn't allowed to enter her place of worship for being born into a specific caste, and finally to a dargah where mentally ill women are admitted for being cured of their demons.
OUR GODS ARE LIKE THAT
—
NRA man who works as a security guard in an apartment complex goes about his day, while the residents who live there express their views on caste, identity, and their own social standing. But actions speak louder than words in a particularly xenophobic, casteist political time period.
Tam-Bram Cooking
—

