Sraiyanti

Mohana is the president of the first trade union for women auto rickshaw drivers in the southeast Indian state of Tamil Nadu. As well as maneuvering her own auto through the busy streets of Chennai, she has to navigate a sexist and patriarchal system to secure equal opportunities for women drivers. She faces constant resistance—with conflicts and humiliations every day.

Mikan is a Japanese girl who works at Isetan in Kuala Lumpur. She has a dream of opening her own shop selling exclusive Japanese products. Her best friend, Bijan, invites her to open a shop together at J.K.K. Finally, Mikan decides to open her dream shop called 'The Japan Store'. The shop sells fruits, vegetables, various daily necessities, cosmetics and other Japanese products. The business, which initially went well, turns into chaos filled with endless problems and she is helped by the village residents to think of solutions. One day, Mika finds out that her parents are sick and she needs to return to Japan immediately. Mikan asks the J.K.K village residents to send medicine from Malaysia. Concerned about Mikan's situation, the J.K.K residents decide to fly to Japan together bringing the necessary medicine. Upon arriving in Japan, various strange incidents occur while they are in Ehime and Nagano. Will they be able to deliver the medicine to Mikan? J.K.K arrives in Japan.

A man who works as a security guard in an apartment complex goes about his day, while the residents who live there express their views on caste, identity, and their own social standing. But actions speak louder than words in a particularly xenophobic, casteist political time period.

The film chronicles four events that take place over a span of two days, all relating to superstition and spirituality in India. It aims to show the thin line between harmless faith and the kind that puts down human dignity in the name of religion. Starting with a Godman with questionable intent, it moves on to a place where women are segregated during their periods, a lady isn't allowed to enter her place of worship for being born into a specific caste, and finally to a dargah where mentally ill women are admitted for being cured of their demons.

Mohana is the president of the first trade union for women auto rickshaw drivers in the southeast Indian state of Tamil Nadu. As well as maneuvering her own auto through the busy streets of Chennai, she has to navigate a sexist and patriarchal system to secure equal opportunities for women drivers. She faces constant resistance—with conflicts and humiliations every day.

A man who works as a security guard in an apartment complex goes about his day, while the residents who live there express their views on caste, identity, and their own social standing. But actions speak louder than words in a particularly xenophobic, casteist political time period.

The film chronicles four events that take place over a span of two days, all relating to superstition and spirituality in India. It aims to show the thin line between harmless faith and the kind that puts down human dignity in the name of religion. Starting with a Godman with questionable intent, it moves on to a place where women are segregated during their periods, a lady isn't allowed to enter her place of worship for being born into a specific caste, and finally to a dargah where mentally ill women are admitted for being cured of their demons.

The film chronicles four events that take place over a span of two days, all relating to superstition and spirituality in India. It aims to show the thin line between harmless faith and the kind that puts down human dignity in the name of religion. Starting with a Godman with questionable intent, it moves on to a place where women are segregated during their periods, a lady isn't allowed to enter her place of worship for being born into a specific caste, and finally to a dargah where mentally ill women are admitted for being cured of their demons.