Simos Kakalas

Just a man walking with nothing to say.

The wonderful digital world is not just about colors and fancy ringtones; it is also a space for thoughtful discussions, as well as a chance for us to become better people, leaving the past behind and, with science’s help, creating the future that we deserve.

Three stories. Three directorial perspectives. A cinematic triptych that navigates between humor, absurdity, and Greek reality. Three different filmmakers join forces in a cinematic triptych that observes contemporary Greek reality through humor, absurdity, and a satirical lens.

Kosmas, a cemetery worker, has set up a lucrative “grief business” with Father Argyris. The money flows freely until Kosmas’s greed leads him face-to-face with his own Nemesis.

1949, towards the end of the Greek Civil War. Yannis, the son of a rebel, is torn from his village and deported to the Childcare Cities where his ideas and desires are manipulated. Nightmares and dark feelings for his father slowly inhabit his heart. Only when he reaches adulthood does he redefine his existence, so he decides to go and meet the man.

Eva is a seven-year-old girl who accidentally sees her parents making love. This spectacle, unbearably mysterious and violent, causes fear and curiosity at the same time.

A violent change in the environment is reflected on a family's collision. A young girl has to leave her dog behind, before her family abandons their home in the village, because of the construction of a dam.

In the streets of fear, residents are searching for their local “heroes.” Bodies become docile, desires are suppressed and Alexandros remains a child of his age, against the imperatives of the era, of society and – above all – against the will of his father. Alexandros will need to abandon his teenage self once and forever and choose sides in an undeclared war, in a present shaped by others for him.

It's Eleni's birthday. Friends and relatives are gathering together. Their relationships are going to be tested.