Ro Jim

Kaze, a mysterious outsider, and Zyan, his irreverent guide, search for a stolen dragon through a paranormal cursed city.

Samuel is a taxidermist commissioned to dissect a fish, however, he begins to be stalked by his Neighbor, who seems to be plotting something terrible against him. Samuel becomes obsessed with this idea, and little by little he will unravel the truth of his harassment, without knowing that this will lead him to a destiny wrapped in horrors, blood and cosmic delusions.

Through a training trip, in which the filmmakers also participate, the contrasts that exist between the conservatism of machismo and the new masculinity are evident; testimonies, discoveries and liberation in a circle of men.

In a mix-up, Tamara, an axolotl puppet, is forced to recover her mother's necklace from the least expected place.

A fisherman in the last stage of his life, is reunited in front of the sea after an accident that took him away from his beloved waters for more than a year, to find the joy and pain that he left in sea.

Entering in the darkness of his memories, with the aid of some old photographs, one man travels to his past, building along his way a story which spans multiple generations to recover the image of his father, whose early passing marked him as a child.

Two people search for each other on the halls of Ciudad Universitaria. On their way, they reminisce about moments of their past relationship: the time they first exchanged glances, their first chat, the dates they had, and the key moment in which they distanced from one another.

Through a training trip, in which the filmmakers also participate, the contrasts that exist between the conservatism of machismo and the new masculinity are evident; testimonies, discoveries and liberation in a circle of men.

In an essay and archival intervention, questions arise about the images of the 1968 national strike council.

In an essay and archival intervention, questions arise about the images of the 1968 national strike council.

In an essay and archival intervention, questions arise about the images of the 1968 national strike council.

A young filmmaker maintains an epistolary conversation with his deceased grandmother while he rediscovers the space they both inhabited for more than a decade.