Otávio Almeida

An outcast makes a journey through a dam in Sierra Maestra, place of origin of the Cuban Revolution. As in a short story, we are guided through this attenuate landscape gradually crossing the delineae cartography of a body that with every movement is diluted, finally becoming one with the habitat.

No synopsis available yet.

Vismán and Alejandro live alone with their father, a veteran of the Cuban Revolutionary Armed Forces. In the intimacy of their house and their day-to-day life, the two brothers participate in filming their portrait by imagining staged scenes that reveal the violence inherited from their national and family history. – Camille Kaiser

An outcast makes a journey through a dam in Sierra Maestra, place of origin of the Cuban Revolution. As in a short story, we are guided through this attenuate landscape gradually crossing the delineae cartography of a body that with every movement is diluted, finally becoming one with the habitat.

An outcast makes a journey through a dam in Sierra Maestra, place of origin of the Cuban Revolution. As in a short story, we are guided through this attenuate landscape gradually crossing the delineae cartography of a body that with every movement is diluted, finally becoming one with the habitat.

An outcast makes a journey through a dam in Sierra Maestra, place of origin of the Cuban Revolution. As in a short story, we are guided through this attenuate landscape gradually crossing the delineae cartography of a body that with every movement is diluted, finally becoming one with the habitat.

No synopsis available yet.

Vismán and Alejandro live alone with their father, a veteran of the Cuban Revolutionary Armed Forces. In the intimacy of their house and their day-to-day life, the two brothers participate in filming their portrait by imagining staged scenes that reveal the violence inherited from their national and family history. – Camille Kaiser

Vismán and Alejandro live alone with their father, a veteran of the Cuban Revolutionary Armed Forces. In the intimacy of their house and their day-to-day life, the two brothers participate in filming their portrait by imagining staged scenes that reveal the violence inherited from their national and family history. – Camille Kaiser