Adrián García Prado

Loneliness, friendship, humor, politics. The city of Madrid turned upside down. From top to bottom, left to right, a playful and twisted labyrinth. And a protagonist, the filmmaker, who allows himself to be seen and exists, together with the others, his friends, and the cinema, willing not to be gobbled up.

Loneliness, friendship, humor, politics. The city of Madrid turned upside down. From top to bottom, left to right, a playful and twisted labyrinth. And a protagonist, the filmmaker, who allows himself to be seen and exists, together with the others, his friends, and the cinema, willing not to be gobbled up.

Loneliness, friendship, humor, politics. The city of Madrid turned upside down. From top to bottom, left to right, a playful and twisted labyrinth. And a protagonist, the filmmaker, who allows himself to be seen and exists, together with the others, his friends, and the cinema, willing not to be gobbled up.

Edition of a book of interviews with filmmaker Joseph Morder, the author of over 1200 films and of the longest cinematic journal there is, including his biography since the late 1960s until today, his ideas on cinema and his relation with other filmmakers.

Two friends prepare for a journey.

A filmmaker films himself and some surrounding events with his small digital camera during the months of spring. The apparent order of the days falls apart when the images manifest the coexistence of multiple potential 'I's. They are all illusory and, despite this, they turn into necessary bridges in the way to a true identity.