Eliška Andršová Cílková

This series of short films offers a representative cross-section of the work produced at this famous Prague film school over the course of its 80-year history.

A triple jump on ice skates lasts just a few seconds, but requires years of physical training and mental isolation. This time-lapse portrait of Barbora Vránková, three-time Czech figure skating champion, captures a pivotal period in her life between the ages of fifteen and eighteen. Her days are filled with online lessons, physiotherapy sessions and, above all, a rigorous training routine. The camera, synchronised with the protagonist’s movements, takes us straight onto the ice, where the screech of blades and the thumping of pop hits blend with the shouts of her coaches. Without any contrived pathos, the film follows how, fall after fall, the young athlete works her way towards precision on the ice and autonomy off it.

26 April 1986: Chernobyl’s reactor number 4 explodes and provokes the biggest nuclear disaster in history. Pripyat, where the plant is located, becomes a ghost city. Guided by former inhabitants, Eliška Cílková takes us in her quest of the town’s memory. Gracefully shot, the film reminds us the power of music where less expected.

The film poem about pesticides reflects on the return to the natural food chain, in which insect pest serve as food for the higher order. The harmonic cycle of life and death, the temple that is the wildflower field resounding with the inebriating sound of crickets chirping and wheat spikes rustling in the wind, is invaded by the human, the ultimate consumer with no natural predator.

This series of short films offers a representative cross-section of the work produced at this famous Prague film school over the course of its 80-year history.

A triple jump on ice skates lasts just a few seconds, but requires years of physical training and mental isolation. This time-lapse portrait of Barbora Vránková, three-time Czech figure skating champion, captures a pivotal period in her life between the ages of fifteen and eighteen. Her days are filled with online lessons, physiotherapy sessions and, above all, a rigorous training routine. The camera, synchronised with the protagonist’s movements, takes us straight onto the ice, where the screech of blades and the thumping of pop hits blend with the shouts of her coaches. Without any contrived pathos, the film follows how, fall after fall, the young athlete works her way towards precision on the ice and autonomy off it.

26 April 1986: Chernobyl’s reactor number 4 explodes and provokes the biggest nuclear disaster in history. Pripyat, where the plant is located, becomes a ghost city. Guided by former inhabitants, Eliška Cílková takes us in her quest of the town’s memory. Gracefully shot, the film reminds us the power of music where less expected.

The film poem about pesticides reflects on the return to the natural food chain, in which insect pest serve as food for the higher order. The harmonic cycle of life and death, the temple that is the wildflower field resounding with the inebriating sound of crickets chirping and wheat spikes rustling in the wind, is invaded by the human, the ultimate consumer with no natural predator.

The film poem about pesticides reflects on the return to the natural food chain, in which insect pest serve as food for the higher order. The harmonic cycle of life and death, the temple that is the wildflower field resounding with the inebriating sound of crickets chirping and wheat spikes rustling in the wind, is invaded by the human, the ultimate consumer with no natural predator.