Jessinta Liu Fung-Ping

Liang Pao-erh joins the carefree Spinsters' Club when she discovers her husband is having an affair. Despite the seemingly happy front that her sisters put on, beneath it all, each of them secretly yearns for a man in her life.

Instead of following the wishes of her parents and flying to Toronto, Mo-yung (Anita Yuen) journeys instead to NYC, in hope of finding Benny (Simon Yam), the man she loves. There, she meets Rubie, a sympathetic clinic worker who helps her to settle in the city.

Ella is a divorced Chinese American taxi driver who spends her days ferrying people around the roads of Sausalito, San Francisco. After work, she spends time with her 8-year old son, Scott. Ella meets Mike at Sky House, an infamous pick-up joint. Awkward strangers at first, they nonetheless find passion and what they want in each other.

A costumer uses the mask of a dead actress to design a new wig. Second, witness three actresses' curiosity-gone-bad when they discover that their agent is messing around with the spirit of a deceased woman. And third, watch a commercial film-shoot cut short when the filmmakers are haunted by the apparition of a young boy.

Instead of following the wishes of her parents and flying to Toronto, Mo-yung (Anita Yuen) journeys instead to NYC, in hope of finding Benny (Simon Yam), the man she loves. There, she meets Rubie, a sympathetic clinic worker who helps her to settle in the city.

Ella is a divorced Chinese American taxi driver who spends her days ferrying people around the roads of Sausalito, San Francisco. After work, she spends time with her 8-year old son, Scott. Ella meets Mike at Sky House, an infamous pick-up joint. Awkward strangers at first, they nonetheless find passion and what they want in each other.

A costumer uses the mask of a dead actress to design a new wig. Second, witness three actresses' curiosity-gone-bad when they discover that their agent is messing around with the spirit of a deceased woman. And third, watch a commercial film-shoot cut short when the filmmakers are haunted by the apparition of a young boy.