Matilde Vigna

In late 19th-century Turin, young Lidia Poët fights against everything and everyone to get what is rightfully hers: to be enrolled in the official register of lawyers; a profession, at the time, reserved exclusively for men. Nevertheless, nothing could stop her dream of becoming the first female lawyer in Italy.

“Blue Lips” isn't just a film. It's a cinematographic, cultural and social project, based on the true story of the difficult recovery of two comatose boys a and moves through the world of metropolitan suburbia.

Liv Ferracchiati has chosen Chekhov’s *Platonov* to explore the mechanism that links intuition, writing and life within an artist. “It is worth viewing Platonov with a degree of leniency,” she explains, “because in his outbursts, his miseries, his fears and his inconsolable sorrows, we recognise our own.”

Pietro decides to grant the wish of an elderly lady he calls Grandma and takes her out of the nursing home where she lives to take her to the seaside. It is the beginning of a road trip and an unexpected friendship. From Italy to Spain, passing through France, to Almería, a city Anna has always wanted to see, an exciting and unexpected journey will bind the two protagonists together.

A metaphysical kammerspiel about political fight, betrayal, madness, focusing on a exiled communist couple during a train journey in the early months of WWII.

In late 19th-century Turin, young Lidia Poët fights against everything and everyone to get what is rightfully hers: to be enrolled in the official register of lawyers; a profession, at the time, reserved exclusively for men. Nevertheless, nothing could stop her dream of becoming the first female lawyer in Italy.