James C. Leary

Into every generation a slayer is born: one girl in all the world, a chosen one. She alone will wield the strength and skill to fight the vampires, demons, and the forces of darkness; to stop the spread of their evil and the swell of their number. She is the Slayer.

This offbeat comedy about love and romance won writer, director and actress Heidi Van Lier top honors a Grand Jury Prize at the 1999 Slamdance Film Festival. Heather Green (Van Lier) is a journalist with an alternative newspaper in Chicago who is obsessed with her ex-boyfriend. Randy (Joe Kraemer) is in turn obsessed with Heather. A would-be documentary filmmaker, Randy constantly films her, sometimes without her knowledge. When Heather takes up a challenge from Randy and announces she can seduce the next man she meets, her desperation makes it clear she's had bad luck with men for a very good reason. When Heather finally does meet the man of her dreams, a good-looking attorney named Cliff

A mockumentary about two best friends working in the adult film industry as stand-ins due to their ability to project 'loads' upon the climaxes.

A plus-size male stripper knocks on the wrong door and is thrust into the criminal underworld. His only chance to save the club and himself is to do what he does best... DANCE!

Into every generation a slayer is born: one girl in all the world, a chosen one. She alone will wield the strength and skill to fight the vampires, demons, and the forces of darkness; to stop the spread of their evil and the swell of their number. She is the Slayer.

Into every generation a slayer is born: one girl in all the world, a chosen one. She alone will wield the strength and skill to fight the vampires, demons, and the forces of darkness; to stop the spread of their evil and the swell of their number. She is the Slayer.

A mockumentary about two best friends working in the adult film industry as stand-ins due to their ability to project 'loads' upon the climaxes.

A mockumentary about two best friends working in the adult film industry as stand-ins due to their ability to project 'loads' upon the climaxes.