Šimon Krupa

Autumn 1968, the Australian running record holder Ron Clarke is coming to Prague, hoping that his old friend and role model, Emil Zátopek, the most famous Czech athlete of all time, will help him overcome the biggest crisis of his career.

"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.

In a kingdom lived Prince Peter, who was far too kind-hearted. Such an obedient boy could hardly ascend the throne, and so his father, the king, had considerable concerns about this.