Gabriel Zaragoza

Follows a group of friends adrift in a swampy after-hour: at dawn after a party, where the body struggles between arousal and extenuation.

A German family unravels as they are forced to abandon their farm in Entre Ríos, Argentina.

"I was not afraid today" are two films at the same time. The first one portrays two sisters in their daily lives and the second one gets rid of the linear narration in search of a free manipulation of the visual and sound texture.

Three farmers work on a farm in Entre Ríos, a sparsely populated lowland region of Argentina traversed by rivers. Their crops are affected by ‘black frost’ which threatens to destroy their harvest. One day, a young woman appears at their door; blithely and self-assuredly she begins to influence their familiar routines. The bewildered farmers yield to Alejandra’s interventions: she dons Heribertos’ dead wife’s clothes, accompanies Benigno to a greyhound race and wins young Lucas’ friendship. Shortly afterwards, the frost disappears.

The preparations of a sound installation by artist Ernesto Romeo is suspended when his mother falls ill. This interruption motivates the director to embark on a series of projects that share a mysterious connection to each other.

The preparations of a sound installation by artist Ernesto Romeo is suspended when his mother falls ill. This interruption motivates the director to embark on a series of projects that share a mysterious connection to each other.

The preparations of a sound installation by artist Ernesto Romeo is suspended when his mother falls ill. This interruption motivates the director to embark on a series of projects that share a mysterious connection to each other.

"I was not afraid today" are two films at the same time. The first one portrays two sisters in their daily lives and the second one gets rid of the linear narration in search of a free manipulation of the visual and sound texture.

A short film about the impossibility of the human body to encompass the pleasure of eternity.

A man, who shifts his gaze from cultural existence to a more intimate and decidedly more dangerous place. This places him in an uncomfortable place in the eyes of others and in himself.

A man, who shifts his gaze from cultural existence to a more intimate and decidedly more dangerous place. This places him in an uncomfortable place in the eyes of others and in himself.

A man, who shifts his gaze from cultural existence to a more intimate and decidedly more dangerous place. This places him in an uncomfortable place in the eyes of others and in himself.

They are the last hours of a couple. One tries to convince the other so that this break does not materialize, even offering him immortality. Who tries to stop and who tries to run away? Based on a text by Césare Pavese.