Matías Marra

The Vote is a portrait of the time. The national filmography has vast examples of how politics is conceived (and filmed is overdetermined) as a ladder to obtain positions of power by power itself, as a shortcut in a personal career. We wanted to say that politics is, above all, a tool for transformation, for profound change.

It's a Friday night in Buenos Aires and Francisco is going around the city looking for Paula. His erratic journey through the "porteño" neighborhoods gets tense due to couples arguing, soccer matches, ephemeral love affairs, technical issues and old songs.

The Vote is a portrait of the time. The national filmography has vast examples of how politics is conceived (and filmed is overdetermined) as a ladder to obtain positions of power by power itself, as a shortcut in a personal career. We wanted to say that politics is, above all, a tool for transformation, for profound change.

The Vote is a portrait of the time. The national filmography has vast examples of how politics is conceived (and filmed is overdetermined) as a ladder to obtain positions of power by power itself, as a shortcut in a personal career. We wanted to say that politics is, above all, a tool for transformation, for profound change.

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