Mirko Pašek

Oldřich Nový was and will forever remain the embodiment of charm, elegance and personal charm for Czech cinema, to which all women, regardless of age, were subject. In his unforgettable lover roles, he was not only a romantic who was able to fall in love with a girl from an ancient painting, succumb to the chocolate-brown eyes of the minister's girlfriend, but also a seducer for whom infidelity was a regularly practiced sport, or, conversely, a newlywed obsessed with jealousy. This was exactly Viktorin, the main character of a crazy Art Nouveau comedy, where everything revolves around a massive deer antler. Its involuntary owner becomes the jealous Viktorin, and it is certainly not difficult to guess what such a "right" gift can cause.

Oldřich Nový was and will forever remain the embodiment of charm, elegance and personal charm for Czech cinema, to which all women, regardless of age, were subject. In his unforgettable lover roles, he was not only a romantic who was able to fall in love with a girl from an ancient painting, succumb to the chocolate-brown eyes of the minister's girlfriend, but also a seducer for whom infidelity was a regularly practiced sport, or, conversely, a newlywed obsessed with jealousy. This was exactly Viktorin, the main character of a crazy Art Nouveau comedy, where everything revolves around a massive deer antler. Its involuntary owner becomes the jealous Viktorin, and it is certainly not difficult to guess what such a "right" gift can cause.