Directing

Tabita Rezaire

Acting credits

Behind the camera

Deep Down Tidal poster
NR

"Internet is not in the clouds... it lies on the sea floor." Deep Down Tidal is a video essay exploring water in systems of communication--technological, political, and spiritual-- in the context of "electronic colonialism".

Deep Down Tidal

2017

Deep Down Tidal poster
NR

"Internet is not in the clouds... it lies on the sea floor." Deep Down Tidal is a video essay exploring water in systems of communication--technological, political, and spiritual-- in the context of "electronic colonialism".

Deep Down Tidal

2017

new moon love poster
NR

HD video 2020

new moon love

2020

No artwork available
NR

Placed at the very center of the darkened exhibition space, the video projection narrates a symbolic journey into the wisdom and indigenous traditions of pre-colonial Africa, where the wombs of both the earth and women were sacred.

Ultra Wet - Recapitulation

No artwork available
NR

No synopsis available yet.

God Don't Watch TV

2014

Peaceful Warrior poster
NR

Peaceful Warrior encourages people of colour to get in touch with their history, their ancestors’ knowledge and traditional philosophical wisdom. In a journey of spiritual healing we see a transformation from the ‘fierce’ to the ‘peaceful’ warrior. All this takes place in a hypnotic landscape of ancient Egyptian cosmology, wombs and floating vegetables, with Tabita Rezaire practising kemetic yoga, twerking with wild hip movements to release the power of her womb, and propagating a ‘decolonial diet’ as a way of healing the trauma of (colonial) memory. Peaceful Warrior is a self-help kit for radical self-love and balancing body and mind to wage a more efficient spiritual struggle.

Peaceful Warrior

2015

AFRO CYBER RESISTANCE poster
NR

Confronting the unilateral flow of online information, Afro Cyber Resistance is a socially engaged gesture aiming to challenge the representation of the African body and culture through online project.

AFRO CYBER RESISTANCE

2014

Sugar Walls Teardom poster
NR

Sugar Walls Teardom reveals the contributions of Black womxn’s wombs to the advancement of modern medical science and technology.

Sugar Walls Teardom

2016

No artwork available
NR

Drawing inspiration from the megalithic landscapes of Senegal and the Gambia, space debris, archaeology, astronomy, numerology, theology and African understandings of the cosmos, Mamelles Ancestrales strives to establish pathways between heaven and earth, between the living and the dead, in a world where celestial bodies, mineral life and spirits sing together. The film is the result of Tabita Rezaire's research and expeditions to four megalithic sites. Gathering stories from the guardians of the sites, local populations and other understandings from astronomers, archeologists, and theologians to unfold the mysteries of the thousands of stone circles scattered across Senegambia, Mamelles Ancestrales goes in pursuit of an ancient African megalithic civilization so as to better understand our own.

Mamelles Ancestrales

2019

No artwork available
NR

This video work is a study of dynamic networks from artificial, spiritual, and biological environments that digs into the politics of possibilities, where a mystico-techno-consciousness could nurture a mind-body-spirit-technology symbiosis. Premium Connect explores African divination systems, the fungi underworld, ancestors’ communication, and quantum physics to (re)think our information conduits.

Premium Connect

2017

No artwork available
NR

This video work is a study of dynamic networks from artificial, spiritual, and biological environments that digs into the politics of possibilities, where a mystico-techno-consciousness could nurture a mind-body-spirit-technology symbiosis. Premium Connect explores African divination systems, the fungi underworld, ancestors’ communication, and quantum physics to (re)think our information conduits.

Premium Connect

2017

Ass 4 Sale poster
NR

Ass4Sale revolves around the phenomenon of twerking, a dance form that has gained increasing popularity in western culture since Miley Cyrus’ uncritical appropriation in 2013. Rezaire investigates the mechanisms of cultural appropriation that have stripped twerking of its African origins and culture. As a former ritual of fertility, twerking is strongly tied to the black female body. Assimilated and disseminated as a mainstream phenomena and commodity fetish, it has been decontextualised from issues of race, gender, privilege and ownership. Racist double standards are exposed as the practice of twerking, considered “ghetto” and over-sexualised in the context of black culture, becomes fashionable and trendy once adopted and assimilated – upholding and reinforcing myths about black female sexuality.

Ass 4 Sale

2015

No artwork available
NR

In Sorry for Real ‘the Western world’ apologises for the violent history of slavery, colonialism and the continuing exploitation of African people and resources. We see a smartphone chat in which ‘the West’ asks for forgiveness. But what purpose does an apology serve? Who benefits from it? Which power structures are concealed behind it? Should the present apologise for the past? And can this past ever really be forgiven? Sorry for Real questions the unequal balance of power within the politics of compensation, and emphasises the need to decolonise technologies and reconciliation strategies.

Sorry for Real

2015