Anouk Ferjac

Qui n'a pas connu le stress d'un déménagement ? Surtout quand on est un jeune écrivain comme Alain, sur le point de quitter une bonne maison d'édition pour écrire un sitcom pour la télévision, que sa femme est sur le point d'accoucher et de surcroît quand les déménageurs sont des Roumains qui travaillent au noir et qu'ils n'ont pas vraiment le sens de la ponctualité...

Camille, a naïve schoolgirl, meets an intriguing influence in Joelle, a slightly older and much more experienced spirit. Camille follows her new friend through the discovery of sex and the darker side of life. As the film progresses, Camille discovers AIDS and the fear that she may have picked up the disease in her early encounters.

A man, a house and an identity explored through the negative space of manipulated photographs. An animate! commission for Channel 4 and the Arts Council of England.

In a train compartment, 6 people who do not know each other tell the story of their troubles in love. Only one of those seems to be a positive one.

The story of a group of students' involvement with a group who oppose the French-Algerian war.

No synopsis available yet.

In 1981, in Grenoble, Mickey, Bertrand, Frédéric, Charles, Louise, and Aimée—brought together by a shared desire to make music—are the members of a band called the “Why Notes.” During a wedding ceremony in a church where Charles is playing the harmonium for the occasion, Bertrand, who has come to join him, notices the groom interrupting the ceremony and running away. A few hours later, just as the band is about to leave for a concert in Paris at the high school they attended, Bertrand runs into Clara, who suggests they run away together and then disappears... Bertrand, completely captivated by Clara, leaves the band and sets off in search of her... in Paris.

No synopsis available yet.

No synopsis available yet.

In this drama, the popular French film star of the '30s and '40s Jean Marais plays Victor, a disgruntled, cranky old man who is forced to come to terms with the fact that he is now the guardian of his mulatto grandson Clem (Serge Ubrette). Victor is shocked to discover his grandson's mixed heritage when he travels to London to pick him up, but resigns himself to the situation. Once at home in France, the brash Clem manages to steal the heart of the most coveted young woman in town, but that only gets him into trouble with her tough-guy boyfriend and his buddies. Meanwhile, Grandpa is trying to come to grips with his own biases as best he can.

For no apparent reason, "the man" decides he is going to live only in the bathroom of his apartment (clothed). Perhaps he wants the isolation he might find there. His solitude destroyed by a bevy of friends, some housepainters hired by his girlfriend, and his family, our philosophical hero makes his way to a nondescript hotel room in Venice, where he spends his time playing darts in his room. When his girlfriend visits him there, he responds to this interruption of his musings by briefly using her forehead as a dartboard. Eventually he returns to his Paris apartment, and reconciles with his injured girlfriend.

No synopsis available yet.

Jean and Julie meet again ten years after childhood. Jean has trouble recognizing the grown up girl. Julie is "promised" to Henri, a neighbor. Julie, scathing and capricious, provokes Henri and Jean.

A meeting between the Swedish/French Simone and the Norwegian Stein at a book convention in Frankfurt turns into something more. They keep contact by phone and cassettes, but it seems they don't dare to take the relationship any further.

In the fall of 1963, Anne is becoming a teenager. She lives in Paris with her mother and her older sister, Frédérique. They're just back from summer at the beach with their father. School starts. A turbulent year awaits them both.

Dr. Françoise Gailland has a hectic schedule, which causes her to have little time to spend with her family, which consists of her husband Gérard, her pregnant teenager daughter Élisabeth, and her sullen son Julien. However, she does manage to find the time to spend with her lover, Daniel Letessier. While her life in such disarray, she learns that she has cancer. Françoise tries to put a brave face on it, and is determined to face the life-threatening disease with courage.

At the end of the Spanish civil war, Fando, a boy of about ten, tries to make sense of war and his father's arrest. His mother is religious, sympathetic to the Fascists; his father is accused of being a Red. Fando discovers that his mother may have aided in his father's arrest. Sometimes we witness Fando imagining explanations for what's going on; sometimes we see him at play, alone or with his friend Thérèse. Oedipal fantasies and a lad's natural curiosity about sex and death mix with his search for his mother's nature and his father's fate. Will Fando survive the search?

Karl, a young killer is to kill Kate, an adventurous lady living in a mansion by a lake. He approaches her but fails to kill her. Instead, he falls in love and becomes her lover ...

Édith Giovanna Gassion is born in 1915. As a young girl she sings on the streets of Paris until a nightclub owner, Louis Leplée, discovers her. When he is murdered the composer Raymond Asso takes care of her and lets her perform at the ABC theatre, which leads to her breakthrough.

Véronique goes on vacation with her godparents and begins to grow aware of the complexity and power of sexual attraction. She and her godfather develop a relationship which could easily have become sexual, but does not. She confides in her diary afterwards that she wishes she had permitted things to go further.

A middle-aged man travels to France and is discouraged by the attitudes of the people concerning his native land until he meets and begins relationships with two lonely women.

1970s France. In this modern Parisian city suburb, the paths cross of two neighbours living on the same landing, Georges and Claude: one burying his mother, the other about to marry his daughter. Two family events which, on that day, are going to have to co-exist as best they can!

A homeless young man, living in his delivery truck, is simultaneously adopted by a pranksome group of youngsters and made into a police informer. Believing that he is doing something good both for the other kids and for himself, he has no qualms.

Alain Brissot, an executive in a major company, was made redundant following a redundancy plan, but decided to put up a fight by continuing to occupy his office against all odds... He soon went on hunger strike, and, after many ups and downs, ended up taking back the job of his former manager, who had himself been ousted following the failure of a lucrative contract with an African country.

The real museum of Mexico City is the city, the street. To grasp the intangible, Guy Gilles decides to tell the story of Mexico by questioning the value of images and sounds, far from tourist clichés. The nightlife of Mexico City, his meeting with young Lupe, the hotel’s lifiter.

The Moreen family hires Pemberton to tutor young Morgan. Pemberton has no money of his own, and the social non-conformity of his employers condemns him to the impossibility of being paid. Yet an emotional relationship develops between master and pupil. Little by little, Morgan becomes an object of blackmail. Having run out of arguments, the parents give their son to his teacher. The child, abandoned by his parents, dies.

Ahmed, an Algerian laborer and young father, leaves his country and arrives in France, hoping to find a job through Salah, a friend who has been living in the Paris suburbs for several years. He is disappointed when he arrives in Nanterre, where Salah lives in a shantytown. Without any support, Ahmed has to make the daily rounds of the employment offices, like so many other immigrants who, like him, have been lulled into complacency.

Justine, leaves her family, drops out of school at 18. Drifting in Paris, encountering odd characters she finally slips into prostitution.

In this French crime caper film, a young misfit who has grown tired of his job as a bank teller deliberately gets fired. When some underworld characters ask him to share the layout of the bank so that they can more effectively rob it, he does. He also joins in the robbery. But when members of the gang start shooting at one another, it becomes clear that he is definitely in over his head.

When his young son is killed in a hit and run accident, Charles Thenier resolves to hunt down and murder the killer. By chance, Thenier makes the acquaintance of an actress, Helène Lanson, who was in the car at the time of the accident. He then meets Helène’s brother-in-law, Paul Decourt, a truly horrible individual.

Recovering from an attempted suicide, a man is selected to participate in a time travel experiment that has only been tested on mice. A malfunction causes the man to experience moments from his past in a random order.

On his way from Madrid to Paris, Diego, a chief of the Spanish Communist Party, is arrested at the border for an ID check but manages to flee. When he arrives in Paris, he searches for one of his comrades to prevent him from going to Madrid where he could be arrested.

Lucky Jo and his three friends are little criminals, who try to live from small burglaries. But they never have luck - ever so often something inpredictable happens to Jo and gets one of them arrested. While Jo is in prison once again, they decide they'd better do without him in future. He decides to help them secretly...and unfortunately.

Famous TV newscaster Robert Colomb is married to Catherine, but is continually unfaithful to her. Then he meets, and becomes fascinated with Candice.

This drama about the Carmelite order of nuns is set during the French Revolution. A young woman seeks refuge with the Carmelites because she is terrified of dying during the upheaval. The longer she associates with the nuns the more she is transformed by their faith and devotion. 

Catherine is left unmarried and pregnant when her mobster sweetheart is killed in this gangster comedy. With the help of another unmarried mother-to-be, Catherine goes looking for the stash of cash buried by her lover before his death. Soon other thugs and her suspicious neighbors are following their every move in an attempt to recover the lost loot...

Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".

This telefilm in black and white is diffused on the first French chain the November 6th 1965. It undoubtedly remains the most known adaptation of the Dom Juan of Molière.

In a mysterious French castle dark meetings and apparitions happen, seasoned by nauseating erotic menages. The involvement frantically increases up to the amazing epilogue.

A young woman is forced into espionage so that her father can escape blackmail. The love of an aviator helps her regain her freedom and secure the arrest of the members of the network, whose leader commits suicide before the police arrive.

Two unlikely companions must smuggle four suitcases filled with contraband pork across Nazi-occupied Paris.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Georges Villard, a minor bank employee, is won over by Mr Steve who does him favours, treats him to the high life and introduces him to his wife Florence, with whom he falls in love. Georges is unaware that these generous gifts will cost him dearly.

A couple of dancers performs in a night club. The man is jealous of Gina, his partner,and keeps making scenes to her, going as far as bullying her on the stage during their act. A man gets killed. The dancer is suspected for being jealous of all the other men. Another potential culprit could the father of Gina since he overprotected his daughter. The real culprit will be unmasked after the police detective finds the murder has something to with the Occupation period.

Elsa Lundenstein is accused of having murdered her lover. The jury discusses the case vividly. All members are somehow prejudiced because of personal life experience and subsequently each member reads something different into the presented facts.

For the Marquis Barbezieux de Saint-Rosay, nobility is important. If anything can comfort her, it's her family tree. In order to erase any doubt he invites in his castle a cousin of his established in Scotland, whom he instructs to bring him his titles of nobility. A first person introduces himself, calling himself his cousin, but it's not him. Then one, then two, then three false cousins ​​appear in turn. Will the real Saint-Rosay of Scotland eventually present itself?

A thief steals a Jewel in France and travels to Barcelona to try to sell it. Both the Police and a former associate try to catch him.

A newlywed boxer disappears shortly after the wedding. Only to return two years later as a whole new woman.

No synopsis available yet.

In the elegant nightclub of Corsican Luciano, known as Lucky, "Les Naturistes", big sums are gambled at the Longchamp races. Lucky not only "welcomes" the new dancers, he also collects the stakes entrusted to him and personally plays the horses recommended to him by Max, a former convict. But Bramati, Lucky's ex-partner, doesn't forgive Max for double-crossing him and has him shot.

A ballet producer returns to his native town and schemes to avenge himself on the family who tried to murder him 20 years before.

The City of Hope is the place where left-behind artists subsist by scraping by. When one of them is accused of murder, all try to find the real culprit.

In Paris, three models are murdered, being one of them the mistress of the fashion designer Dominique Airelle. It is the young inspector who is in charge of the affair.