Trygve Nielsen

In a black and white world, a cowboy picks colors up from his hat. A crow steals the hat and turns the world gray.

A cinematic essay, in the form of a twelve-beat blues, where the robot voice calls and the noise of the destruction forces responds. In dialogue with Freud's thoughts on the death drive, the film explores living conditions in a cold vision of our capital. Boom! Wizz! Kapow!

In a black and white world, a cowboy picks colors up from his hat. A crow steals the hat and turns the world gray.

In a black and white world, a cowboy picks colors up from his hat. A crow steals the hat and turns the world gray.

A cinematic essay, in the form of a twelve-beat blues, where the robot voice calls and the noise of the destruction forces responds. In dialogue with Freud's thoughts on the death drive, the film explores living conditions in a cold vision of our capital. Boom! Wizz! Kapow!

A cinematic essay, in the form of a twelve-beat blues, where the robot voice calls and the noise of the destruction forces responds. In dialogue with Freud's thoughts on the death drive, the film explores living conditions in a cold vision of our capital. Boom! Wizz! Kapow!