Azadeh

A man tries to run away from a mysterious attacker

A fine example of the female-led melodramas of the 1950s that revived Iranian cinema after a long hiatus during WWII, The Last Night follows Monir, a happily married woman who gets blackmailed by her former lover and must rely on an actress to clear her name. There’s a striking sense of 1950s Iranian cosmopolitanism, especially when the camera leaves the studio and ventures into the streets of Tehran or the ski resorts in the north of the city.

Iranian film by George Ovadiah

After being discharged from the military service, four friends decide to establish a boarding house in Tehran, and each of them undertakes a task: one is a waiter, another is a cook, the third is a doorman, and the last one is elected as the director of the boarding house.

A young girl gets caught up in the temptations of a man named Jamshid.

An Iranian adventure movie from director Azizollah Rafie.