Emmanuel Carquille

From 1988 to 1994, near Père Lachaise cemetery on the eastern side of Paris, the Etablissements phonographiques de l’Est (Eastern Phonographic Venue), aka EPE, was a multidisciplinary venue hosting the crême de la crême of the international experimental, radical, industrial, noise, avant-punk scene. A record shop during the day, an underground venue at night hosting in its basement gigs, performances, screenings of video art and experimental cinema, readings, bondage workshops, fanzine exhibitions. At the junction of late 80’s and early 90’s, EPE saw the end of industrial music and the birth of the still highly influential avant-punk scene.

A crossing of Istanbul, in its flows, its incessant movements, its rhythms. An Istanbul caught in its insomniac vibrations, A city, made of contrasts and oppositions, shared between Orient and West, modernity and tradition, order and chaos, individual and crowd. In the hypnosis of what turns, as in a perpetual movement, a somnambulistic vision, made of shaky images A city, captured in its alternations, its beats, in the rhythms inscribed in the montage, with the sound which mixes with the rumors of the city, with the drone of the megalopolis.

Vanishing memories, with granulity assaults due to the successive transferts from medium to medium, from a travelling shot in 1993.